Christopher Nolan’s The Odyssey is this summer’s l’objet de cinéma, the 70mm-sized monolith around which most else will have to orient. There are ways to be creative about it. One such case would be Odysseys, a seven-film series that features the Homeric (Sullivan’s Travels, O Brother, Where Art Thou?), the urban (After Hours), the pastoral […]
The post The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno first appeared on The Film Stage.
When asked about formative movie experiences, Jane Schoenbrun has spoken of the month spent watching all the Nightmare on Elm Street sequels at 11 years old. It’s tempting to say that the seeds of their latest movie, Teenage Sex and Death at Camp Miasma, were planted over those four weeks—not least New Nightmare, Wes Craven’s […]
The post Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries first appeared on The Film Stage.
Red Rooms was not Pascal Plante’s first film, but it sure suggested an arrival. Coming from seemingly nowhere and immediately placing the Québécois director on our radar, that film—which we gave a rather high grade when we still assigned grades—wound up on our list of the best and most underseen titles of 2024, roughly the […]
The post First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire first appeared on The Film Stage.
The brilliant Catherine Breillat made her long-awaited return with Last Summer a few years back, and now thankfully the wait for her next feature won’t be as long. She’ll next direct The German Cousin, an adaptation of Georges Simenon’s novel The Krull House, first published in 1939 and centered on the community of a rural […]
The post Catherine Breillat Sets Next Film With The German Cousin first appeared on The Film Stage.
Without putting too fine a point on it, the 2026 Directors’ Fortnight in Cannes has kicked off with a bit of a dog. The latest from exiled Russian filmmaker Kantemir Balagov, Butterfly Jam takes place in and around the Circassian community in New Jersey—a diasporic milieu that will call to mind movies like Anora, Little […]
The post Cannes Review: Kantemir Balagov’s Butterfly Jam Can’t Find a Rhythm first appeared on The Film Stage.
There’s not much room nowadays for movies that are merely pretty good, even—especially—coming from great directors. Olivier Assayas’ CV has fortified his great-director status for so long that it’s sometimes hard to square his brilliance with the films that offer just a bit less than that (and it doesn’t help when one of his pantheon […]
The post “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin first appeared on The Film Stage.
One return to the director’s chair we’ve long-awaited is John Sayles. The Lone Star and Matewan helmer hasn’t made a film in 13 years, with his last release being the 2013 crime drama Go for Sisters. While he has publicly exclaimed difficulty in finding financing, it looks like things are finally moving forward on a […]
The post John Sayles Set Directing Return With I Passed This Way Starring Amy Madigan and Chris Cooper first appeared on The Film Stage.
The tides of cinema history have somehow obscured Liliane de Kermadec’s Aloïse, where one role is inhabited by two of French cinema’s greatest actors. Isabelle Huppert plays Aloïse Corbaz—who was admired by the art brut movement but kept institutionalized for the last 46 years of her life, often deemed a key outsider artist—as a young […]
The post Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse first appeared on The Film Stage.
Even if he hadn’t recently landed the new Texas Chainsaw Massacre remake, you’ve likely heard the name Curry Barker. He’s the latest in the recent spate of former sketch comedians/YouTubers turning to horror-directing with an online feature under his belt. Obsession—his theatrical debut—fully lives up to both his promise and the title. For whatever familiarity lies within […]
The post Obsession Review: A Nasty, Humorous Horror Breakout first appeared on The Film Stage.
That every Kiyoshi Kurosawa project of late—some of which are 45 minutes long and originated as an NFT—can get a theatrical release makes especially odd the stranding of Serpent’s Path, a wholly deserving remake of his 1998 film. (Even that feel-bad triumph’s restoration got a proper run while the new film stayed offshore.) We shall […]
The post KimStim Acquires Kiyoshi Kurosawa’s Serpent’s Path Remake for Summer Release first appeared on The Film Stage.
