Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about a truly underrated star: Laurence Fishburne! Our B-Sides include: Bad Company, Fled, Hoodlum, and Biker Boyz. Conor and guest host Mitchell Beaupre […]
The post The B-Sides of Laurence Fishburne with Mitchell Beaupre first appeared on The Film Stage.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Arco (Ugo Bienvenu) With his debut feature, Arco, Ugo Bienvenu puts a unique, thought-provoking twist on the solarpunk genre. He gives us a glimpse of the sort of sustainable utopia […]
The post New to Streaming: Miroirs No. 3, Kill Bill: The Whole Bloody Affair, Mother Mary, Palestine 36 & More first appeared on The Film Stage.
Oscar-winning director Daniel Roher says he lost his artistic inspiration after Navalny‘s victory. I don’t think that’s necessarily a surprise, to hit peak success in your industry and wonder what comes next. That’s when he met a Los Angeles piano tuner named Peter White to light a spark. While one might assume that would lead […]
The post Tuner Review: An Entertaining, Conveniently Scripted Caper first appeared on The Film Stage.
The parting image in Andrey Zvyagintsev’s Loveless was a woman in a tracksuit with the word “RUSSIA” printed over it running on a treadmill—a pointed metaphor for a country on a road to nowhere. The film came out in 2017, sandwiched between the start of the war on Donbas and Russia’s full-scale invasion of Ukraine; […]
The post Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama first appeared on The Film Stage.
In 1858, pre-Freud times, a castle in the Yorkshire moors of Northern England by the name of Ensor House becomes the new dwelling place for young governess Winifred Notty (Maika Monroe, on a horror streak from Longlegs). What awaits her is a predictably stilted family of huge wealth, the Pounds, comprising Mrs. Pounds (Ruth Willson), […]
The post Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve first appeared on The Film Stage.
In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the eponymous New York photographer and the writer Linda Rosenkrantz––as a way of opening a window onto Hujar’s life and creative process. The director returns to Cannes with The Man I […]
The post Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance first appeared on The Film Stage.
After a surprise tease at the Super Bowl, we’ve been waiting to hear when Netflix would share more about David Fincher’s The Adventures of Cliff Booth, the Quentin Tarantino-scripted continuation of Once Upon a Time… in Hollywood, centered on Brad Pitt’s character. They have now unveiled Fincher’s next feature will be coming to IMAX theaters […]
The post David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November first appeared on The Film Stage.
László Nemes began his career on a mountaintop that he’s struggled to scale ever since. Son of Saul was the rare first film that not only premiered in competition at Cannes but took home the Grand Prix (the first ever debut to do so) and carried influence all the way to the Academy Awards nine […]
The post Cannes Review: László Nemes’ Moulin Is a Brooding, Engaging World War II Thriller first appeared on The Film Stage.
Clio Barnard returns to Directors’ Fortnight after The Selfish Giant and Ali & Ava with an adaptation of Keiran Goddard’s novel I See Buildings Fall Like Lightning. The director, whose Yorkshire upbringing is a site of belonging, has set her work in Northern England—Bradford specifically—but, honoring Goddard’s novel, places this film in post-industrial Birmingham. I See […]
The post Cannes Review: I See Buildings Fall Like Lightning Is a Captivating, Polyphonous Ode to Friendship first appeared on The Film Stage.
Do not adjust your sets or fear that you’ve lost consciousness. Marking one of the more intriguing director-actor pairings in God knows how long, Leos Carax has, per Variety, secured Jenna Ortega to lead his next feature (and first since 2021’s Annette) Lily May B, which is expected to roll cameras in spring 2027 under […]
The post Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega first appeared on The Film Stage.
