In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the eponymous New York photographer and the writer Linda Rosenkrantz––as a way of opening a window onto Hujar’s life and creative process. The director returns to Cannes with The Man I […]
The post Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance first appeared on The Film Stage.
After a surprise tease at the Super Bowl, we’ve been waiting to hear when Netflix would share more about David Fincher’s The Adventures of Cliff Booth, the Quentin Tarantino-scripted continuation of Once Upon a Time… in Hollywood, centered on Brad Pitt’s character. They have now unveiled Fincher’s next feature will be coming to IMAX theaters […]
The post David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November first appeared on The Film Stage.
László Nemes began his career on a mountaintop that he’s struggled to scale ever since. Son of Saul was the rare first film that not only premiered in competition at Cannes but took home the Grand Prix (the first ever debut to do so) and carried influence all the way to the Academy Awards nine […]
The post Cannes Review: László Nemes’ Moulin Is a Brooding, Engaging World War II Thriller first appeared on The Film Stage.
Clio Barnard returns to Directors’ Fortnight after The Selfish Giant and Ali & Ava with an adaptation of Keiran Goddard’s novel I See Buildings Fall Like Lightning. The director, whose Yorkshire upbringing is a site of belonging, has set her work in Northern England—Bradford specifically—but, honoring Goddard’s novel, places this film in post-industrial Birmingham. I See […]
The post Cannes Review: I See Buildings Fall Like Lightning Is a Captivating, Polyphonous Ode to Friendship first appeared on The Film Stage.
Do not adjust your sets or fear that you’ve lost consciousness. Marking one of the more intriguing director-actor pairings in God knows how long, Leos Carax has, per Variety, secured Jenna Ortega to lead his next feature (and first since 2021’s Annette) Lily May B, which is expected to roll cameras in spring 2027 under […]
The post Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega first appeared on The Film Stage.
Seemingly cornering the recent market on Hollywood star-driven, auteur-directed French productions after Olivier Assayas’ The Wizard of the Kremlin last week, Vertical picked up Alice Winocour’s Angelina Jolie-led Couture following its TIFF premiere last year. With a cast also including Louis Garrel, Ella Rumpf, Garance Marillier, Anyier Anei, and Vincent Lindon, the film follows an […]
The post Couture Trailer: Alice Winocour’s Angelina Jolie-Led Fashion Drama Arrives This June first appeared on The Film Stage.
Seen through a child’s eyes, the French Riviera suggests heaven on Earth. For the three at the heart of Bruno Dumont’s Red Rocks—Geo (Kaylon Lancel), Manon (Louise Podolski), and Rouben (Mohamed Coly)—their small town is all they know, with new adventures every day as they ride dirt bikes along the seafront or find new heights […]
The post Cannes Review: Red Rocks Is Bruno Dumont at His Most Uncharacteristically Gentle first appeared on The Film Stage.
In Everytime, a sun-dappled film about death and love that might be the best in Cannes this year, the terrible loss of a teenage girl’s life leaves her mother, younger sister, and boyfriend bound in mutual devastation. Set in present-day East Berlin during the balmy months of the year, this is a film that appears […]
The post Cannes Review: Sandra Wollner Meets the Moment With Sublime Everytime first appeared on The Film Stage.
In the Grey, written and directed by Guy Ritchie, is a nifty bit of entertainment. Ninety minutes long before credits and starring Jake Gyllenhaal, Henry Cavill, and Eiza González, the action thriller concerns a small group of “extraction specialists” who specialize in getting very powerful people to pay their debts. They often work in the […]
The post In the Grey Review: A Reflection on the Strange Career of Guy Ritchie first appeared on The Film Stage.
Almost ten years to the day since The Neon Demon’s premiere, Nicolas Winding Refn returns to Cannes with Her Private Hell—a film wherein the internet’s it girl du jour Sophie Thatcher is captured quite beautifully through the Danish filmmaker’s heightened, neo-noir style. With the film’s wafer-thin plot and essentially non-existent characters, however, the one-time enfant […]
The post Cannes Review: Nicolas Winding Refn Makes an Underwhelming Return with Her Private Hell first appeared on The Film Stage.
