Late Fame finds that not-so-common sweet spot between caustic and elegiac, Willem Dafoe (a vision of resparked enthusiasm) and Greta Lee (a vision of too-sparked eagerness) making a meal from Samy Burch (May December) adapting Arthur Schnitzler’s novella, while Kent Jones parlays his deep knowledge of New York into the city’s most photogenic screen appearance […]
The post Willem Dafoe and Greta Lee Tussle Over Legacy In Trailer for Kent Jones’ Late Fame first appeared on The Film Stage.
As we approach 2026’s halfway point, it’s time to take a temperature of the finest cinema thus far: we’ve rounded up our favorites from the first six months of this year, some of which have flown under the radar. Kindly note that this is based solely on U.S. theatrical and digital releases from 2026. Check […]
The post The Best Films of 2026 (So Far) first appeared on The Film Stage.
The thing with Jackass is: there’s really nothing like it. Evolving from the skate videos of the 1990s, Jackass has persisted long enough to see its public perception come full circle: from lewd, obnoxious jerks to lewd, obnoxious sweethearts. The franchise never tried to be anything it wasn’t. In making the faithful leap from television […]
The post Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore first appeared on The Film Stage.
Note: This review was originally published as part of our 2025 Cannes coverage. The film opens on June 26. Continuing in the low-key register of her Golden Bear winner Alcarràs, Carla Simón returns with Romería, another tale of intergenerational dissonance. A film about the stories families choose to tell and the ones they bury deep […]
The post Romería Review: A Personal Tale of Intergenerational Dissonance first appeared on The Film Stage.
Note: This review was originally published as part of our 2026 Sundance coverage. The film opens on June 26. Among Sundance’s great pleasures is the experience of a film steadily building buzz to the point where it becomes the talk of the fest. Seats become scarce and a unique electricity imbues a charge to those […]
The post The Invite Review: A Knockout Relationship Comedy first appeared on The Film Stage.
One of the first Black writers in television, Robert L. Goodwin scripted episodes of Bonanza, Love, American Style, All in the Family, and more. His sole directorial effort came in 1971 with Black Chariot, which follows a young South Central Los Angeles drifter who becomes involved with a Black militant organization and is forced to confront questions […]
The post Exclusive Restoration Trailer For Black Chariot Resurrects a Long-Lost Independent Black Cinema Landmark first appeared on The Film Stage.
Tsai Ming-liang’s The Hole has occupied a large-enough place in cinephilia these last 25 years that it’s sort of baffling to realize the film is just now getting an official stateside run. For this alone, Big World Pictures deserves credit; our thanks are issued twofold for doing so on a new 35mm print. The Hole […]
The post New Trailer for Tsai Ming-liang’s The Hole Ahead of 35mm Theatrical Run first appeared on The Film Stage.
Excavating her past in deeply moving ways, Spanish filmmaker Carla Simón has completed her family trilogy with Romería, following her debut Summer 1993 and Golden Bear winner Alcarràs. When a teenager visits the Atlantic coast of Spain to meet her paternal grandparents, she begins piecing together the mysteries of her past. Rory O’Connor said in his Cannes review […]
The post “Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni first appeared on The Film Stage.
A standout at the Sundance Film Festival earlier this year, where director Andrius Blaževičius picked up Best Director in the World Cinema Dramatic Competition, How to Divorce During the War has been picked up by Kino Lorber and Zeitgeist Films for a U.S. release. Ahead of a theatrical run beginning August 21, the first trailer […]
The post How to Divorce During the War Trailer: Sundance Winner Arrives This August first appeared on The Film Stage.
Note: This review was originally published as part of our 2025 Locarno coverage. The film opens on June 24. Long before they came to designate a state of hopeless confusion, the words “mare’s nest” once meant something more electrifying: the excitement for that which doesn’t exist. That’s a good way of thinking about the cinema […]
The post Mare’s Nest Review: Ben Rivers Radiates an Inordinate, Contagious Curiosity for the Unknown first appeared on The Film Stage.
