Japan is hardly known for placing limits on cinema; one might posit that young cinephiles largely enter the nation’s incomprehensibly dense corpus through its most extreme offerings. While most accurately called an American project, almost universally hailed as a masterpiece, and hardly extreme in content––it takes a comparatively tame place among the director’s own oeuvre––Paul […]
The post Paul Schrader on Mishima: A Life in Four Chapters‘ 40-Years-Late Japanese Premiere first appeared on The Film Stage.


