Screen Anarchy

PROPELLER ONE-WAY NIGHT COACH Review: John Travolta’s Charm Offensive Soars Against All Odds

PROPELLER ONE-WAY NIGHT COACH Review: John Travolta’s Charm Offensive Soars Against All Odds

Not many films have been saved at the last moment by a press tour. When the film is picture-locked, sound mixed and in the can, there’s not a lot to be done for it, beyond putting it out there for people to assess. John Travolta clearly does not believe in that nonsense. Showing up at the Cannes Film Festival for the premiere of his directorial debut, Propeller One-Way Night Coach, the 72-year-old screen legend sported a new look. Chiselled Mr Worldwide facial hair, tented fingers and knockabout posture weren’t the features to write home about, oh no: it was the beret that drew the spotlight. Days of the festival would pass, and Travolta would make a new appearance with a fresh beret at various intervals;…

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Sound And Vision: Hiro Murai

Sound And Vision: Hiro Murai

In the article series Sound and Vision we take a look at music videos from notable directors. This week we discuss several music videos by Hiro Murai. There was a time where it looked like Hiro Murai was losing some of his edge, becoming a more generic music video director, with music videos like B.O.B-‘s Airplanes, Lupe Fiasco’s The Show Goes On, Usher’s DJ Got Us Fallin’ In Love and Enrique Iglesias’ Heartbeat, all of which sanded of Murai’s more interesting edges, while keeping some of his main themes intact: all are glitzy explorations in which the lead singer manipulates the shadows and lights in his environment, shaping the world to their hand, becoming one with light and shadow, quite explicitly even in Heartbeat. This…

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