Screen Anarchy

COYOTE VS. ACME Trailer: Acme Doesn’t Want You to See This So You Definitely Should

COYOTE VS. ACME Trailer: Acme Doesn’t Want You to See This So You Definitely Should

I am a child of Who Framed Roger Rabbit. It came out when I was a kid, and I would probably need at least both my hands to count how many times I’ve watched it. It holds up after nearly forty years. So when someone told me there would be another film where live actors and animated ones would co-mingle, I was skeptical. But one look at the Coyote vs. Acme trailer and I’m sold. Most of us know the story of how this film almost never made it to the big screen, despite its apparent high rating at an early test screening. It took a while (for reasons that I won’t write about here since I don’t know how litigious certain parties are but you can look…

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Calgary Underground 2026 Review: BAGWORM, Visually Excoriates Modern Masculine Isolation

Calgary Underground 2026 Review: BAGWORM, Visually Excoriates Modern Masculine Isolation

A man should have his house in order.   Carroll’s house is most definitely not in order. He appears to be living in a burned out shell of a structure with the roof about to fall down on him.Seeing how nobody else in Bagworm acknowledges this fact, it is probably a metaphor. But it is a good one in a film that wears its images and ideas loudly on its dirty sleeve.   Carroll has issues with women. He is seen early in the film thoughtlessly speed-swiping right on Tinder. Later, he unpleasantly scolds the date that he does land for what she orders at the restaurant. He doctors photos of himself, violates privacy boundaries, and is a compulsive liar. He even steals his internet….

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Calgary Underground 2026 Review: HANGASHORE, Oblique Foggy Nightmare

Calgary Underground 2026 Review: HANGASHORE, Oblique Foggy Nightmare

When sailors or fishermen head out to sea, they do not wish to hear their family say goodbye out of a fear of not coming home.   There is no whistling at sea, for fear of conjuring up a storm. Having a woman on board unnecessarily could anger the sea, causing treacherous conditions as revenge. Enter Justin Oakey’s Hangashore, an unsettling film that blends genre and narrative and landscape in challenging, often indirect, ways. On one hand, it is a character drama and low-key courtship, set against the stressful nature of working a small-crew fishing boat in 21st century rural Newfoundland. On the other hand, there is a foreboding old-world ghost story lost in fog and dreams and intuition. There is a rugged tug of…

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