It’s almost hard to pin down exactly why Xander Robin’s The Python Hunt feels so special. The ensemble documentary with stunning cinematography that draws the audience in with one thing and delivers an unexpected lesson by the end follows in the footsteps of the many great docs that have done these things before, but it feels revelatory. The film centers around the government-funded 2023 Florida Python Challenge, which called on python hunters from around the globe to help the state rid the Everglades of a staggering non-native Burmese Python population that’s purportedly decimated the local wildlife. The Python Hunt invites audiences to tag along with several groups of hunters in this exciting and novel attempt at ecological preservation before complicating its own narrative. The large…
Dan Stevens, Judith Light, and CCH Pounder lead an ensemble cast in a chilling limited series, debuting on AMC+ and Shudder.
Watch the trailer and see the key art for Mark O’Brien’s new possession horror flick.
Featuring Bruce Lee in his American feature-film debut! Coming June 9 from Arrow Video.
With the end of this year’s edition of Fantaspoa comes news of the award winners and attendance numbers. Throughout nineteen days the festival hosted 24 world premieres, continuing its dominance in Latin America as one of the best places to have your film seen for the first time. Awards were spread across the program with only one film receiving more than one award this year. That’s just solid representation across the board. And for the first time ever, Fantaspoa was granted the honor of awarding a Méliès Silver Award for Best European Feature Film, which grants a film access to the competition held by Sitges every year. This makes Fantaspoa the first non-European festival to receive this distinction. That award went to Paul Urkijo…
Plus: William Friedkin’s ‘Rampage’ and Dwayne Johnson in ‘Walking Tall.’
In a ScreenAnarchy exclusive, we introduce you to Fantastic Pavilion Vertical Cinema — Cannes 2026, an intoduction to the filmmakers contributing to vertical cinema’s rise in the genre sphere.
Iranian filmmaker Shahram Mokri has transformed the Möbius strip into a cinematic form of its own, extending beyond the familiar framework of time loop narratives. Following his 2020 feature Careless Crime, Mokri returns with another intricately constructed film, Black Rabbit, White Rabbit. Moving away from the overt political undercurrents of his earlier works, this new film expands his exploration of cinema’s self-reflective potential, positioning itself as a layered, meta-puzzle of narrative and form. Black Rabbit, White Rabbit opens deceptively as a domestic drama centered on Sara (Hasti Mohammaï), her body wrapped in bandages after a car accident, and her withdrawn, volatile husband. As Sara wanders through their spacious home, a series of strange and disjointed events unfold. Yet, as is characteristic of Mokri, the story…
The legacy of Blood Window carries on with our friends at Fantastic Pavilion as they announce the eight titles that will be presented in The Blood Window Showcase during Marche du Film at Cannes next week. Blood Window is supported by the Fantastic Pavilion and continues to be one of the leading platforms for Ibero-American genre cinema. Eight films at the WIP stage, from Mexico, Brazil, Argentina, Chile y Peru, will be international buyers, sales agents, festival programmers, and investors. Some of these filmmakers have been featured on our pages in years past. Andrés Beltrán (Quicksand, Tarumama), Jorge Olguín (Whispers of the Forest), Horacio Maldonado (Moviedreams), and Armando Fonseca (Skull: The Mask) have all had films written about here at ScreenAnarchy. The eight projects are in…
KEN RUSSELL’S THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned – and the first time the film will be presented restored and in 4K.


