Screen Anarchy

Well Go USA Celebrates Yeon Sang-ho’s TRAIN TO BUSAN 10 Year Anniversary, COLONY (군체) Acquisition and Theatrical Release

Well Go USA Celebrates Yeon Sang-ho’s TRAIN TO BUSAN 10 Year Anniversary, COLONY (군체) Acquisition and Theatrical Release

Well Go USA have announced plans to celebrate the ten-year anniversary of Yeon Sang-ho’s international hit, Train to Busan. On top of that, they have also acquired Yeon’s most recent zombie flick, Colony, and have plans for that release as well.    Train to Busan will return to cinemas in the U.S. and Canada on August 14th in glorious 4K for the first time. Two weeks later, Well Go USA releases Colony in cinemas. You can check out the teaser trailer below.    Colony will have its world premiere at Cannes next month. There will be enough time between the premiere and theatrical for prominant, summer genre festivals to feature it in their lineups. We’re looking at you, Fantasia!   TRAIN TO BUSAN Returns to…

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REVELATIONS OF DIVINE LOVE Review: Earnest, If Stagey, Tale of Unwavering Faith

REVELATIONS OF DIVINE LOVE Review: Earnest, If Stagey, Tale of Unwavering Faith

Acts. Questions. Steps. Leaps. All words with which ‘of faith’ can be easily and appropriately clipped on, and applied especially to Caroline Golum’s Revelations of Divine Love, a micro-budget marvel of faith-based cinema that dramatises (and implicitly modernises) the writings of Julian of Norwich, a 14th century ‘anchoress’ whose eponymous and influential text detailed social upheaval from within the thick stone walls of a church. We find Julian (Tessa Strain) at the beginning of her tale, ailing from a mysterious illness. Her last rites prompt vivid and fervorous visions of Christ which bring her back from the brink, immediately qualifying her for the honored position of local anchoress. For all the spiritual plaudits this brings, she will remain in a bricked-up room at the edge…

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Sound and Vision: Edgar Wright

Sound and Vision: Edgar Wright

In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at selected music videos by Edgar Wright. Somehow it is a wonder that Edgar Wright has never done a full blown animation feature, nor a full-on traditional musical, especially when looking at his music video output. In his early and recent music video work, he fully embraces animation as a medium, and the musical as a genre, sometimes mixing both to great effect. One of his early music videos is one of two he made for Charlotte Hatherley. I want to single out Bastardo (see below), where he uses minimal animation and the now somewhat archaic medium of photographed comic books. Bastardo shows the…

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Overlook 2026 Review: TRAUMA, OR MONSTERS ALL Brings A Thirty Year Project Full Circle

It’s been a little over thirty years since indie horror godfather Larry Fessenden burst into the consciousness of the underground with his sideways vampire epic, Habit. In the decades since then, he and his Glass Eye Pix production house have shepherded some of American horror’s most unique storytellers to the big and small screen as a producer while still managing to take time to direct his own idiosyncratic features challenge the present notions of what horror can be in these tumultuous times. It took almost twenty years for Fessenden to return to his monstrous reimaginings with 2019’s Frankenstein riff, Depraved and 2022’s wolf man story, Blackout. With this Mad Monster Party trio of existential horrors now out in the world, he is here to cap…

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TRAUMA OR, MONSTERS ALL Exclusive Clip: Kicking a Hornet’s Nest

TRAUMA OR, MONSTERS ALL Exclusive Clip: Kicking a Hornet’s Nest

A new film by horror indie auteur Larry Fessenden is always cause for celebration, and for those lucky enough to be attending the Overlook Film Festival, they have the chance to attend the world premiere of his new film Trauma or, Monsters All, tonight. And we have an exclusive clip! An aspiring author gets more than she bargained for when she writes an article for the local paper about her small town’s dark history, prompting unwanted speculation on what monsters may lie within. Overlook mainstay Larry Fessenden returns with the thrilling conclusion to his quadrilogy, a thoughtful and fiercely independent monster mash that can be enjoyed on its own or marathoned with his three origin stories – Habit, Depraved, and Blackout. Laëtitia Hollard, the big breakout…

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