“Someone at Sony Ericsson did a very good job!” Shielded from Locarno’s scorching heat inside the air-conditioned lobby of the Kursaal theater, Alexandre Koberidze is extolling the virtues of the camera with which he shot his latest, Dry Leaf. Not the high-resolution equipment he used for his sophomore feature, 2021’s feted What Do We See […]
The post “I Want to Capture Miracles”: Alexandre Koberidze on Dry Leaf and Shooting on a Sony Ericsson first appeared on The Film Stage.


