Now in its 10th edition, the Nitrate Picture Show—held at the George Eastman Museum in Rochester, New York—is becoming the closest thing American cinephiles have to a pilgrimage. Every year it feels as if half of New York’s film community, out of sheer love for the medium, flocks upstate to catch the dozen-odd rare prints […]
The post 10 Years of Nitrate Picture Show: A Religious Experience of What Cinema Can Be first appeared on The Film Stage.
NYC Weekend Watch is our weekly round-up of repertory offerings. BAMA 35mm-heavy Masahiro Shinoda retrospective has begun. Museum of Modern ArtThe expertly programmed Universal Westerns continues with two by Anthony Mann and Budd Boetticher in 3D. Film at Lincoln CenterHistory, Italian Style continues with Vincere, The Conformist, and Love and Anarchy on 35mm. Museum of […]
The post NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More first appeared on The Film Stage.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. André Is an Idiot (Tony Benna) There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn’t really work. It’s a simple, stark subject for a […]
The post New to Streaming: Two Pianos, The Last One for the Road, Pressure, The Wizard of the Kremlin & More first appeared on The Film Stage.
Comedian John Early has been waiting for his film to be seen by audiences. Premiering at TIFF last fall, Early’s directorial debut is a sublime comedy that commits to simultaneously becoming a serious drama about a woman with a returned eating disorder. Maddie’s Secret, which Early also wrote and leads, plays like a 1980s TV […]
The post “It Was Our Job to Commit”: John Early on the Roman Empire, Paul Verhoeven, and Maddie’s Secret first appeared on The Film Stage.
Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss one of the greatest film directors to ever live: Steven Spielberg! Our B-Sides are 1941, Hook, Amistad, and The Adventures of Tintin. Our […]
The post The B-Sides of Steven Spielberg with Bilge Ebiri first appeared on The Film Stage.
Note: This review was originally published as part of our 2025 Venice coverage. The film opens on June 19. The films of Mark Jenkin ooze a hypnotic, seasick sensibility; to watch them is to be lulled by their restless jumps through time and space, their ability to convert his home turf of Cornwall into a […]
The post Rose of Nevada Review: Mark Jenkin’s Stupefying, Time-Slipping Ghost Story first appeared on The Film Stage.
Note: This review was originally published as part of our 2025 TIFF coverage. The film opens on June 19. You can’t accuse John Early of not committing. Through the majority of his acting career, the comedian has become a reliable avatar for a palpable, toxic, hilarious narcissism, playing characters oblivious to the world outside the […]
The post Maddie’s Secret Review: John Early Shows Total Commitment In Feature Debut first appeared on The Film Stage.
The Rocky Horror Picture Show can be described in hundreds of ways. Over the last five decades, it’s become more than just a cult classic; it’s a cultural touchstone for people around the country, with midnight screenings popping up without warning while packing theaters. In New York, a Broadway show on Rocky Horror continues to […]
The post Tribeca Review: Time Warp Captures Queer Joy Through New Take on Rocky Horror Picture Show first appeared on The Film Stage.
Perhaps I’ll need to burn my cinephile card if I suggest that the Criterion Channel’s best addition next month—best addition all year?—is a TV series. But I let out an actual exhale upon reading that they’re adding all 17 episodes of Patrick McGoohan’s The Prisoner, which simultaneously boasts ’60s surrealism, spy story, structural experiment, and […]
The post The Criterion Channel’s August Lineup Features Harry Dean Stanton, Jonathan Demme, The Prisoner & More first appeared on The Film Stage.
Perhaps I’ll need to burn my cinephile card if I suggest that the Criterion Channel’s best addition next month—best addition all year?—is a TV series. But I let out an actual exhale upon reading that they’re adding all 17 episodes of Patrick McGoohan’s The Prisoner, which simultaneously boasts ’60s surrealism, spy story, structural experiment, and […]
The post The Criterion Channel’s July Lineup Features Harry Dean Stanton, Jonathan Demme, The Prisoner & More first appeared on The Film Stage.
