Deep into the second week of another tumultuous (and freezing cold) year at the Berlin Film Festival, Angela Schanelec arrives with a welcome reminder of what summertime in the city feels like: a place where young people meet and chat and go for bike rides; a place where the uniform black and greys of winter […]
The post Berlinale Review: My Wife Cries Is Another Poetic Tapestry From Angela Schanelec first appeared on The Film Stage.
In Home Stories, a young woman from the town of Griez in East Germany is selected to compete on a TV talent show—an opportunity that will require her family to do a rare bit of self-reflection. The writer of this conceptually rich idea is Eva Trobish, among the lesser-known directors to emerge from the Berlin […]
The post Berlinale Review: Home Stories Tells an Ambitious If Uneven Intergenerational Tale first appeared on The Film Stage.
Premiering to acclaim at the 2025 FIDMarseille, Caroline Golum’s second feature Revelations of Divine Love was acquired by Several Futures, who will give it a theatrical release beginning March 27 at NYC’s Anthology Film Archives. Ahead of the theatrical roll-out––which includes Nitehawk Prospect Park (April 5), Low Cinema (April 11), Roxy Cinema (April 17-April 19, April 24-April 26), Spectacle (April 24-26), and more cities to be announced––the first trailer […]
The post Revelations of Divine Love Trailer: Caroline Golum’s Acclaimed Medieval Tale Arrives This March first appeared on The Film Stage.
The ever-increasing accessibility of filmmaking means that anyone with basic technology can shoot and edit a film. However, only those with a story worth telling can hope to reach an audience and build a sustainable career. Before they were even teenagers, a group of boys in northern Nigeria started making their own movies. Thirteen years […]
The post Berlinale Review: Crocodile is a Choppy Yet Inspiring Portrait of Resourceful Filmmaking first appeared on The Film Stage.
Sooner or later, conversations around the ever-growing oeuvre of Hong Sangsoo all land on the same word: repetition. That’s kind of inevitable: few could ever dream of putting out new stuff at the Korean’s pace, his filmography—now spanning 34 features—expanding at the same speed with which his characters down their soju. Hence the almost forensic […]
The post Berlinale Review: The Day She Returns Is One of Hong Sangsoo’s Most Elemental and Revelatory Gems first appeared on The Film Stage.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. 28 Years Later: The Bone Temple (Nia DaCosta) In 28 Years Later: The Bone Temple, the Jimmy gang is back, led by Jack O’Connell in a role that oddly mirrors […]
The post New to Streaming: Kill Bill: The Whole Bloody Affair, No Other Choice, 28 Years Later: The Bone Temple & More first appeared on The Film Stage.
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln CenterA Raymond Depardon retrospective begins. Museum of the Moving ImageA massive retrospective of 2001 in cinema brings A.I. on 35mm, along with Spirited Away, All About Lily Chou-Chou, and Werckmeister Harmonies; Lucrecia Martel’s The Headless Woman plays on Saturday. Roxy CinemaCrash shows on 35mm; Owen Kline and Shane […]
The post NYC Weekend Watch: Raymond Depardon, A.I., The Loved One & More first appeared on The Film Stage.
John Patton Ford’s sophomore feature rides the wave of its clever lead from first shot to last, cool and confident that everything will work out in his favor no matter how pitted the odds are against him. The writer-director behind Emily the Criminal introduces us to the ever-smirking Becket Redfellow (Glen Powell) in a prison […]
The post How to Make a Killing Review: Glen Powell Goes on a Witty Spree with Little Payoff first appeared on The Film Stage.
If period filmmaking’s credibility can be measured by the audience’s ability to imagine said person scrolling on an iPhone, Markus Schleinzer deserves recognition for his contributions to the genre. The Austrian director’s latest, a macabre, pseudo-folktale titled Rose, is set in 17th-century Germany. It’s a period to which Schleinzer travels with ease: after some introductory […]
The post Berlinale Review: Sandra Hüller Proves Magnificent In Markus Schleinzer’s Rose first appeared on The Film Stage.
Premiering in competition at Berlinale last year, Johanna Moder’s Mother’s Baby tells a Rosemary’s Baby-esque mystery with a cast featuring Marie Leuenberger, Hans Low, and Claes Bang. Ahead of a release from Dark Sky Films in select theaters and digitally beginning March 6, we’re pleased to exclusively debut the new U.S. trailer. Here’s the synopsis: […]
The post Exclusive Trailer for Berlinale Standout Mother’s Baby Introduces a Strange Mystery first appeared on The Film Stage.
