The film often strikes the right balance between loony satire and heartfelt commentary.
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The film points us back to our distorted selves and the hollow world we’ve built.
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Think of the film, starring Andrew Scott and Brendan Fraser, as the Moneyball of war movies.
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Kamal Aljafari’s documentary is politically striking for its familiarity.
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Daniel Roher’s modern noir has an appealing cleverness and lightness of touch.
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De Palma’s acidic satire of mass commodification from 1970 is his first triumph.
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Kurosawa’s first historical film offers a master class in framing and blocking.
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Mandalorian and Grogu is, basically, four Mandalorian episodes wearing an IMAX trench coat.
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Despite its title, Schoenbrun’s film is less about sex and death than sex and cinema.
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This year brought 18 features and seven shorts, all presented with live musical accompaniment.
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