Adapted from her 2018 play, Harris’s film is a bloody revenge thriller told like a campfire tale.
The post ‘Is God Is’ Review: Aleshea Harris’s Sweltering and Meditative Southern Gothic Tale appeared first on Slant Magazine.
The acting legend discusses how he’s been changed by connecting to the consciousness of plants.
The post Interview: Tony Leung on ‘Silent Friend’ and Expanding His Understanding of Consciousness appeared first on Slant Magazine.
The film doesn’t totally succeed in capturing the show’s scope or thematic through line.
The post ‘Billie Eilish: Hit Me Hard and Soft – The Tour’ Review: A Bad Girl Live in (Depthless) 3D appeared first on Slant Magazine.
The film doesn’t totally succeed in capturing the show’s scope or thematic through line.
The post ‘Billie Eilish: Hit Me Hard and Soft – The Tour’ Review: Live in (Depthless) 3D appeared first on Slant Magazine.
May the future of the TCM Classic Film Festival continue to be resonant.
The post The 2026 TCM Classic Film Festival appeared first on Slant Magazine.
This sequel to the maligned 2021 reboot is ravenous to get down to bloody business.
The post ‘Mortal Kombat II’ Review: Simon McQuoid’s Sequel Preaches to the Bloodthirsty Choir appeared first on Slant Magazine.
All of the film’s discursive branches stem from the same root.
The post ‘Silent Friend’ Review: Ildiko Enyedi’s Mind-Bending, Meditative Scientific Drama appeared first on Slant Magazine.
Tuttle discusses directing Kieron Moore and Reed Birney, the film’s rich subtext, and more.
The post Interview: Elliot Tuttle on Exploring Controversial Subject Matter with the Taboo ‘Blue Film’ appeared first on Slant Magazine.
Blue Film is a scrappy and profoundly unsettling chamber drama.
The post ‘Blue Film’ Review: Elliott Tuttle’s Fearless Interrogation of Aberrant Sexuality and Trauma appeared first on Slant Magazine.
The film makes it abundantly clear from the get-go that the people are the problem.
The post ‘The Python Hunt’ Review: An Idiosyncratic Portrait of Snake-Hunting in the Everglades appeared first on Slant Magazine.