Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The post Interview: Nicolas Winding Refn on Resurrecting Himself with ‘Her Private Hell’ appeared first on Slant Magazine.
The film suggests David Lynch’s masterful mindfuck Inland Empire for the influencer set.
The post ‘Her Private Hell’ Review: Nicolas Winding Refn’s Hypnotic, Neon-Tinged Sci-Fi Thriller appeared first on Slant Magazine.
Though Visconti operates on the surface level of the material, he crafts a seductive surface.
The post ‘White Nights’ Review: Luchino Visconti’s Operatic Fyodor Dostoevsky Adaptation appeared first on Slant Magazine.
Motor City channels the spirit of the vigilante films and other exploitation genres of the 1970s.
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The Japanese auteur’s latest shows nothing more clearly than its untapped potential.
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Colony essentially approaches Train to Busan’s setup from a 90-degree angle.
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There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
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By the end, the film’s critiques build to a significant revision of the myth of the Trojan War.
The post ‘The Odyssey’ Review: Christopher Nolan Brilliantly Deconstructs Homer’s Epic appeared first on Slant Magazine.
The Incomer is about being isolated for so long that you forget how to want things.
The post ‘The Incomer’ Review: Louis Paxton’s Quirky, Ultimately Heartwarming Seaside Fable appeared first on Slant Magazine.
The anti-climactic climax, though, rescues the film from obnoxious whimsicality.
The post ‘The Kidnapping of Arabella’ Review: Carolina Cavalli’s Quirky-to-a-Fault Road Movie appeared first on Slant Magazine.