Little word that comes out of Cannes is likely to match the news of Kenneth Lonergan’s return. A full decade since Manchester by the Sea (and two from Margaret‘s production), the writer-director has prepped a major cast for Tomorrow Is a Drag: Aubrey Plaza and Adam Driver for us Megalopolis heads, Vanessa Kirby, and Lonergan […]
The post Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring first appeared on The Film Stage.
After two decades of features, Iranian Oscar winner Asghar Farhadi has made one thing abundantly clear: he lives in the grey zone, and so should we. Parallel Tales, Farhadi’s tenth film (and second in French), is a blend of Rear Window, Stranger Than Fiction, and Peeping Tom (there’s even a little Godfather in there) without […]
The post Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski first appeared on The Film Stage.
“Look into my eyes / can you see they’re open wide / would I lie to you?” Those lyrics linger in the air as a soft whisper for only a moment before the accompanying piano notes carry them away and into the beginning of Gentle Monster, the latest from Corsage director Marie Kreutzer. One might […]
The post Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal first appeared on The Film Stage.
It’s never wise to assume anything. Promotional materials doing the rounds before Club Kid‘s raucous Cannes premiere this week suggested a New York downtown scene answer to Mia Hansen-Løve’s Eden, but Jordan Firstman’s funny, bittersweet, and tremendously moving directorial debut is as much a fresh reimagining of the stunted father subgenre that gave us everything […]
The post Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch first appeared on The Film Stage.
One of this year’s most-anticipated premieres is a rare occurrence for the Cannes Film Festival: a sequel. Coming full circle, Lisandro Alonso’s new feature is a follow-up to his acclaimed debut La libertad. Double Freedom (aka La libertad doble) catches up with woodcutter Misael (Misael Saavedra) a quarter-century later and is said to tell a meta tale about the […]
The post Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion first appeared on The Film Stage.
Thomas Mann, Nobel Prize-winning writer and voice of the German resistance from abroad, fled Germany in 1933 to take refuge in California, where he lived for sixteen years before returning to Germany in 1949 to receive the Goethe Prize in Frankfurt, show face, and embrace the flattery of his snowballing celebrity. That’s where we enter […]
The post Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register first appeared on The Film Stage.
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln CenterA series of rare Korean cinema is on display in Celluloid Fever. Japan SocietyKazuhiko Hasegawa’s Anarchic Ethos features an ultra-rare print of The Man Who Stole the Sun—my pick for one of the 10 best films ever made—his other directing effort The Youth Killer on 16mm, and […]
The post NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More first appeared on The Film Stage.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. A Balcony in Limoges (Jérôme Reybaud) Reybaud observes a chance meeting between two former classmates who are now middle-aged women. Eugénie, a single mother who’s proud of being a “good […]
The post New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More first appeared on The Film Stage.
Christopher Nolan’s The Odyssey is this summer’s l’objet de cinéma, the 70mm-sized monolith around which most else will have to orient. There are ways to be creative about it. One such case would be Odysseys, a seven-film series that features the Homeric (Sullivan’s Travels, O Brother, Where Art Thou?), the urban (After Hours), the pastoral […]
The post The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno first appeared on The Film Stage.
When asked about formative movie experiences, Jane Schoenbrun has spoken of the month spent watching all the Nightmare on Elm Street sequels at 11 years old. It’s tempting to say that the seeds of their latest movie, Teenage Sex and Death at Camp Miasma, were planted over those four weeks—not least New Nightmare, Wes Craven’s […]
The post Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries first appeared on The Film Stage.
