
Green’s continually, and slyly, confronts us with our mortality.
The post ‘The Oldest Person in the World’ Review: Sam Green’s Moving Celebration of Lives Lived Long appeared first on Slant Magazine.

Green’s continually, and slyly, confronts us with our mortality.
The post ‘The Oldest Person in the World’ Review: Sam Green’s Moving Celebration of Lives Lived Long appeared first on Slant Magazine.

The film spares some thought for the big questions of privacy, policing, and A.I.
The post ‘Mercy’ Review: Chris Pratt Doomscrolls on Death Row in Decently Tense Dystopian Thriller appeared first on Slant Magazine.

Gans’s film does away with all the psychosexual nuance of Silent Hill 2.
The post ‘Return to Silent Hill’ Review: Christophe Gans’s Misbegotten Adaptation of ‘Silent Hill 2’ appeared first on Slant Magazine.

Sachs and Rosenkrantz discuss what attracts them to the everyday lives of artists.
The post Interview: Ira Sachs and Linda Rosenkrantz on Reconstructing ‘Peter Hujar’s Day’ appeared first on Slant Magazine.

The action is inventive and heart-pounding, but it’s also the least surprising part of the film.
The post ‘Predator Badlands’ Review: Dan Trachtenberg’s Violent and Disarmingly Sweet Monster Mash appeared first on Slant Magazine.

The film is more than a reflection on barriers and bridges in the age of screen omnipresence.
The post ‘Put Your Soul on Your Hand and Walk’ Review: A Rousing Portrait of a Defiant Gaza Journalist appeared first on Slant Magazine.

The scrappiness that animates Sweeney as an actor finds natural expression through Martin.
The post ‘Christy’ Review: David Michôd’s Boxing Biopic Is Sydney Sweeney’s Defining Star Text appeared first on Slant Magazine.

James Vanderbilt’s film is in direct conversation with the moment in which it was made.
The post ‘Nuremberg’ Review: Historical Drama Holds a Mirror to Our Current Era of Authoritarianism appeared first on Slant Magazine.

Jude discusses why cinema being in a state of constant crisis exhilarates him.
The post Interview: Radu Jude on His Meta ‘Dracula’ and Weaponizing Artificial Intelligence appeared first on Slant Magazine.

Hedda is more of a fun exercise in inventive adaptation than a fully-realized work.
The post ‘Hedda’ Review: Nia DaCosta’s Entertaining, If Uneven, Reimagining of Henrik Ibsen’s Play appeared first on Slant Magazine.