An air of predictability settles over Josh Boone’s dramedy in its very first scene.
The post ‘Regretting You’ Review: You’ll Regret Seeing This Overwrought Colleen Hoover Adaptation appeared first on Slant Magazine.
Zhao’s take on Shakespeare’s family life telegraphs its themes loudly and incessantly.
The post ‘Hamnet’ Review: Chloé Zhao’s Monotonously Blunt Portrait of Learning to Live with Grief appeared first on Slant Magazine.
The film is sensitively attuned to how people’s feelings are shaped by cultural norms.
The post ‘Mistress Dispeller’ Review: Elizabeth Lo’s Wise and Moving Look at China’s Love Industry appeared first on Slant Magazine.
Chris Stuckmann’s feature directorial debut arrives packing some major clout.
The post ‘Shelby Oaks’ Review: A Been-There, Done-That Chiller About Missing Ghost Hunters appeared first on Slant Magazine.
The film is Ramsay’s most sprawling and sensational canvas to date.
The post ‘Die My Love’ Review: Lynne Ramsay’s Expressionistic Portrait of a Mental Breakdown appeared first on Slant Magazine.
O’Connor discusses how he came to understand America by immersing himself in an era.
The post Interview: Josh O’Connor on ‘The Mastermind’ and Calibrating a Character’s Chaos appeared first on Slant Magazine.
Reichardt discusses the political climate of an era, collaborating with Josh O’Connor, and more.
The post Interview: Kelly Reichardt on ‘The Mastermind’ and the Art of the Aftermath appeared first on Slant Magazine.
The Choral sets out to mix comedy with tragedy, but it’s an unsuccessful brew.
The post ‘The Choral’ Review: Nicholas Hytner’s Wafer-Thin Period Dramedy About the Power of Music appeared first on Slant Magazine.
Covino and Marvin discuss balancing visual and verbal humor, shooting on film, and more.
The post Interview: Michael Angelo Covino and Kyle Marvin on the Visual Comedy Gold of ‘Splitsville’ appeared first on Slant Magazine.
Jiaozi’s film is a sprawling, hyperkinetic exercise in mythological storytelling.
The post ‘Ne Zha II’ Review: Who Wants to Live Forever appeared first on Slant Magazine.