It’s a follow-up that ticks many of the same narrative boxes that made its predecessor so successful.
On one of Powell & Pressburger’s most maligned 1950s films, which deserves more consideration than it got at the time.
The writer-director and star talk about crafting the many haunting visual and auditory nightmares of Neon’s latest chiller.
The latest physical media releases include Send Help, The Bone Temple, Highest 2 Lowest, Die My Love, and Criterion editions of Point Blank and The Life of Brian.
Highlights of one of the best film events on the Chicago calendar.
A recap of the just-closed 42nd Chicago Latino Film Festival.
Examining Criterion’s latest box set, which gives Singleton’s ’90s hood dramas the respect they deserve.
For male filmmakers, female pop stars are the closest thing we have to angels in our midst. And angels aren’t meant to be possessed, merely venerated.
Allende’s classic is finally given the prestige treatment it has long deserved.
Reflections on the last year of the festival, and what it means to celebrate Roger and the movies.