If the goal is to reflect a lack of direction or focus in the quarter-life crises of its characters through a show that also can’t maintain a train of thought than mission accomplished.
A setup that begs you to pay attention.
A closing routine that’s about legacy, friendship, and the power of a perfect punchline.
We announce an exciting new gig for our regular contributor, and the former cohost of Ebert and Roeper at the Movies.
It’s a story we’ve heard told before, and better, and “The Audacity” hardly gives these ideas the upgrade they need.
A senior prank becomes a moral test in this month’s short film showcase.
Perpetuates my fears about Dave Filoni and this new era of “Star Wars.”
“The Boys” has always been a show that gives its actors challenging material, but this season takes the cake.
The composer talks about scoring for Earth and the stars, collaborating with Lord and Miller, and what exactly a cristal baschet is.
An upper-class suburban enclave version of “Lord of the Flies.”