Ioncinema

Making it near impossible to have a proper box set as his filmography has been housed at Music Box Films, Magnolia, A24, and more recently Neon for Anora, Sean Baker will get the ball rolling for Warner Bros.’ new label — a return to indie speciality servicing. The trades announce that the Palme d’Or and Oscar-winning filmmaker will see his next feature titled Ti Amo! housed with this new label for a release set for next year. Clockwork will release up to three films per year – and we’ll see if they are in the acquisition business at Cannes this year.… Read the rest

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Prior to the Palme d’Or short competition section being revealed, we have another section featuring the best in short film cinema that is worth keeping tabs on as several of these filmmakers will be talked about in the decade ahead. The Critics’ Week selection committee have outlined the 13 short films that line up their 2026 selections and we find some recent Cannes alumni in Ali Cherri and Elie Grappe offering new oeuvres. Cherri saw his 2022 film Dam premiere in the Directors’ Fortnight section and he follows this with a 29-minute short called La Sentinelle which features the Swiss army knife of languages in actor Nahuel Pérez Biscayart and Eric Cantona (the ex-footballer turned actor will have quite the Cannes this year being featured as the subject in Cantona by David Tryhorn and Ben Nicholas, and having acted in Avril Besson’s Les matins merveilleux).… Read the rest

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In the if-true-then-definitely-newsworthy category, as we put all our focus on the upcoming Cannes Film Festival we’re also taking inventory of the films that may line-up next year’s edition and it would appear that two Chinese filmmakers are heading that way. We’ve been tipped via this X account that we have a pair of Sixth Generation auteurs gearing up — one is Night Train (2007), Black Coal, Thin Ice (2014 – read review) and The Wild Goose Lake (2019) filmmaker Diao Yinan who is working on a new crime thriller with Jackson Yee onboard — he was in Bi Gan’s Resurrection).… Read the rest

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Artistic Director Julien Rejl is poised to draw major crowds this year, as the selection committee makes a compelling case that the Théâtre Croisette at the JW Marriott will be one of the festival’s key showcases. With a lineup featuring new works from renowned auteurs such as Kantemir Balagov, Radu Jude, July Jung, Lisandro Alonso, Clio Barnard, Dominga Sotomayor and Quentin Dupieux, the section shapes up as what is undoubtedly the strongest Directors’ Fortnight slate in years. This is not hyperbole folks!

Following in their mandate of discovery (6 debut feature films are present), among the names to watch out for we have the likes of Sompot Chidgasornpongse, Jorge Thielen Armand, Eivind Landsvik, Sarah Arnold, Lila Pinell, Maxence Voiseux, and Kohei Kadowaki.… Read the rest

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The radiant Ava Cahen topper of La Semaine de la Critique since 2022 gives us eleven reasons to want to explore the section that the end of the Croisette. Naturally this year the break down offers plenty Caméra d’Or contenders, and surprisingly all four out of competition features are all firs time efforts while two film in competition (which features five films by female filmmakers) offers two sophomore features — one of them is the docu item by Alexander Murphy (formerly titled Road Less Traveled) the neatly titled Tin Castle is about a family with 10 children who are living at the side of a road in a tiny little caravan without any wheels.… Read the rest

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French cinematographer Marine Atlan know primarily 2018’s Caroline Poggi/Jonathan Vinel’s Jessica Forever and then 2022’s Carmen Jaquier’s Foudre has also become a sort of mainstay on the Croisette populating the Critics’ Week and Directors’ Fortnight section. After Simon Rieth’ Nos cérémonies (2022), The Rapture (2023), Queens of Drama (2024) and The Girl in the Snow (2025), she finally moved behind the camera. Establishing herself as one of the exciting visual eyes in European cinema, her tactile approach to light and movement favors emotional immediacy. She has two shorts under her belt (her 2019 Daniel was awarded a Special Mention in the 2019 Berlinale’s Generation Kplus section) and then moved into writing her debut feature.… Read the rest

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There was no mention this morning for a film title we imagined would not play in competition but would none the less surface somewhere along the Croisette. It looks like Bucking Fastard was indeed in the cards. As expected, there is a little bit of chaos when launching a festival edition and this morning was no different. According to (confirmed by World of Reel) documentation available on the press site, Werner Herzog‘s latest was indeed a Cannes selection – This morning there was a lot of juggling for media, Cannes’ press team and Thierry Frémaux placed this in the Cannes Premiere box.… Read the rest

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With a touch of queer, the opening film slot for the Un Certain Regard section goes to American indie slasher film by the filmmaker who populated Sundance with We’re All Going to the World’s Fair and I Saw the TV Glow. Jane Schoenbrun lands a huge international showcase for Teenage Sex and Death at Camp Miasma (a Mubi release). Cannes topper Thierry Frémaux identified fifteen titles in all with about four to five remaining titles to be named in the coming weeks. Also from the U.S, populating the section we find Rotting in the Sun actor Jordan Firstman showcasing his directorial debut with Club Kid – which takes us back to NYC and follows a washed-up underground party promoter whose life takes an unexpected turn when he’s forced to look after a son that he never knew he had.… Read the rest

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A competition section of (currently) twenty-one features with, according to Thierry Frémaux, one more potential last minute Palme d’Or contender addition to be announced (or not) in the week(s) ahead, we find a group of films that are both heavy on regular auteurs but also welcomes several first time competition filmmakers. Only two Palme d’Or winning filmmakers are returning in Cristian Mungiu and Hirokazu Kore-eda — they are part of Neon’s four horses in the race (they’ll be looking to add to that number) with Sheep in the Box and Fjord plus the twosome of All of a Sudden, The Unknown.… Read the rest

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If 2026 was meant to deliver the fruits of Argentine filmmaker Lisandro Alonso‘s recent creative output, it seems 2027 will also add another chapter to his filmography. We have La Libertad Doble (The Match Factory are handling sales) ready to launch at a major fest, and we know learn that rumors of a new project possibly tied to Kiarostami’s Taste of Cherry film is indeed in the works. Wagner Moura was spotted (view here) on set in the Brazilian state of Tocantins. The film title is O Aroma da Pitanga and is produced by the Bananeira Filmes folks – they produced Anita Rocha da Silveira’s 2021 film Medusa.… Read the rest

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