It was a great morning for the folks at Warner Bros. A really solid morning. With a record-breaking sixteen nominations, Ryan Coogler‘s Sinners might have pulled in the most votes, but Paul Thomas Anderson‘s One Battle After Another and Joachim Trier‘s Sentimental Value are the films to watch out for at the final gala of the season. Here are all the noms:
Best Actor in a Supporting Role
Benicio del Toro, “One Battle After Another”
Jacob Elordi, “Frankenstein”
Delroy Lindo, “Sinners”
Sean Penn, “One Battle After Another”
Stellan Skarsgård, “Sentimental Value”
Best Actress in a Supporting Role
Elle Fanning, “Sentimental Value”
Inga Ibsdotter Lilleaas, “Sentimental Value
Amy Madigan, “Weapons”
Wunmi Mosaku, “Sinners”
Teyana Taylor, “One Battle After Another”
Best Animated Short Film
“Butterfly”
“Forevergreen”
“The Girl Who Cried Pearls”
“Retirement Plan”
“The Three Sisters”
Best Costume Design
“Avatar: Fire and Ash”
“Frankenstein”
“Hamnet”
“Marty Supreme”
“Sinners”
Best Live Action Short Film
“Butcher’s Stain”
“A Friend of Dorothy”
“Jane Austen’s Period Drama”
“The Singers”
“Two People Exchanging Saliva”
Best Makeup and Hairstyling
“Frankenstein”
“Kokuho”
“Sinners”
“The Smashing Machine”
“The Ugly Stepsister”
Best Original Score
Jerskin Fendrix, “Bugonia”
Alexandre Desplat, “Frankenstein”
Max Richter, “Hamnet”
Jonny Greenwood, “One Battle After Another”
Ludwig Göransson, “Sinners”
Best Adapted Screenplay
Will Tracy, “Bugonia”
Guillermo del Toro, “Frankenstein”
Chloé Zhao and Maggie O’Farrell, “Hamnet”
Paul Thomas Anderson, “One Battle After Another”
Clint Bentley and Greg Kwedar, “Train Dreams”
Best Original Screenplay
Robert Kaplow, “Blue Moon”
Jafar Panahi, “It Was Just an Accident”
Josh Safdie and Ronald Bronstein, “Marty Supreme”
Joachim Trier and Eskil Vogt, “Sentimental Value”
Ryan Coogler, “Sinners”
Best Actor in a Leading Role
Timothée Chalamet, “Marty Supreme”
Leonardo DiCaprio, “One Battle After Another”
Ethan Hawke, “Blue Moon”
Michael B.… Read the rest
Continue reading…
Grief is never linear; it reshapes us as we grow and changes after loss, often leaving us struggling to find the words to express what and how we feel. Exploring both inner and outer worlds through the lens of director William D. Caballero, we find a meta-documentary debut with a multitude of animation styles used to primarily focus on his mother Milly. Having selflessly given much of her later years to caregiving duties for dying members of his family, Caballero uses this as a jumping off point to explore his own grievances with identity, sexuality, sacrifice and the human condition.… Read the rest 
For her first narrative feature in eight years, 
There’s a melancholic seductiveness to Pillion, the directorial debut of