Ioncinema

Interview: Óliver Laxe – Sirāt

Interview: Óliver Laxe – Sirāt

Interview: Óliver Laxe – Sirāt

In his debut You Are All Captains (2010), Óliver Laxe blurs the line between fiction and non-fiction, probing questions of authorship and control, with creative agency at the core. Half a dozen years later, with his sophomore feature Mimosas, he shifts toward the spiritual testing grounds of the metaphysical, where characters grapple with doubt and destiny. Three years after that, in Fire Will Come (read review), Laxe moves from Morocco to the Galician region of Spain, exploring exile and ancestral ties through themes of guilt and forgiveness. His gut-wrenching, heart-filling fourth feature, Sirāt (read review)—critically acclaimed at Cannes—turns its attention to humility and humanity in the face of something vast and ineffable.… Read the rest

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Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Óliver Laxe has been on a whirlwind promotional tour for his fourth feature ever since it premiered to thunderous critical acclaim at the Cannes Film Festival this past May. After briefly speaking with him the week prior (see our virtual interview), and again following the announcement of an impressive slate of European Film Award nominations—recognizing casting, editing, production design, sound design, and cinematography—I had the opportunity to sit down with him (with the Atlas Mountains in the backdrop) once more for a short conversation at the Marrakech International Film Festival. Morocco, a longtime second home for the filmmaker, has served as a recurring backdrop in his work, including Sirāt.… Read the rest

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Sirat | Review

Sirat | Review

Sirat | Review

A Bridge Too Far: Laxe Enters the Zone

Óliver Laxe Sirat Movie Review“The Zone wants to be respected. Otherwise it will punish.” Aleksandr Kayadonvsky’s line from Tarkovsky’s existential sci-fi classic Stalker (1979) comes to mind when viewing Sirat, the fourth and arguably most accessible feature from French-Spanish director Óliver Laxe, who once again returns to the metaphorical glories of a spiritual odyssey as previously explored in 2016’s Mimosas. But his latest is a pulsating, techno drenched mixture of mythological soul searching and contemporary intentional drug use all catalyzed by the search of a missing young woman. Layered, almost kaleidoscopic metaphors evolve through religious and politically minded themes, and the end result feels like a Gaspar Noe adaptation of Joseph Conrad’s Heart of Darkness.… Read the rest

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Interview: Andy & Carolyn London – 1981 (Short Film) 2026 Sundance Film Festival

Interview: Andy & Carolyn London – 1981 (Short Film) 2026 Sundance Film Festival

Interview: Andy & Carolyn London – 1981 (Short Film) 2026 Sundance Film Festival

Set against the awkwardness of early adolescence, 8 minuter 1981 plunges the viewer into a moment when curiosity, fear, and desire collide without warning. What begins as a seemingly innocuous suburban rite of passage quietly mutates into something far more unsettling, capturing the strange elasticity of memory and the way certain experiences lodge themselves permanently in the body.

Selected for the 2026 Sundance Film Festival’s Animated Short Film Program, filmmaking duo Andy & Carolyn London weave memory through the exploratory possibilities of rotoscope, balancing the film with an expressive musical palette—most notably the inspired use of “Crimson and Clover.” Casting their son, Alexei London, they construct a world where adult permissiveness and youthful vulnerability exist without safeguards, reframing childhood not as a sanctuary but as a fragile, confusing, and irrevocably formative threshold fashioned with Bruce Lee’s six-pack and all the titillation and trimmings we could expect from Long Island circa 1981.… Read the rest

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Closure | 2026 Sundance Film Festival Review

Closure | 2026 Sundance Film Festival Review

Closure | 2026 Sundance Film Festival Review

Seriousness Sensationalized: Marczak Uses a Father in Turmoil to Showcase His Style

The winding, seemingly endless Vistula River, the longest in Poland (and ninth longest in Europe) is at the centre of Michał Marczak’s brooding doc Closure. Following a father caught in the limbo between grief and hope, Daniel trudges up and down the Vistula every day until days turns into months and then years to locate his missing 16 year-old son Krzysztof (who also goes by Chris). He vanished after walking to a looming bridge over the river, maybe he jumped? There’s no trail or evidence and Daniel doesn’t think he’s that way inclined.… Read the rest

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Nuisance Bear | 2026 Sundance Film Festival Review

Nuisance Bear | 2026 Sundance Film Festival Review

Nuisance Bear | 2026 Sundance Film Festival Review

Creature Discomfort: Docu Explores the Long Rift Between Neighbors

Adding to the docu sub-genre of our ecological collapse, more of an observational docu than indictment, Nuisance Bear carries an unsettling air of accommodation toward a new reality shaped by dumb tourism, government oversight, and the slow erosion of Inuit traditions. A decade-long journey filled with alarming images of two things that should not be part of the same frame, Gabriela Osio Vanden and Jack Weisman offer a fascinating account about the thin line between protector and intruder — a shared space between the species where the polar bear community are indeed the collateral damage.… Read the rest

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2026 Sundance: Beth de Araújo’s ‘Josephine’ Doubles Down Lands Grand Jury & Audience Award Prizes

2026 Sundance: Beth de Araújo’s ‘Josephine’ Doubles Down Lands Grand Jury & Audience Award Prizes

2026 Sundance: Beth de Araújo’s ‘Josephine’ Doubles Down Lands Grand Jury & Audience Award Prizes

Following a thunderous world premiere, Beth de Araújo’s sophomore feature quickly emerged as Park City favorite, confirming the narrative we had anticipated. Josephine was crowned with both the Grand Jury Prize and the Audience Award from the U.S. Dramatic competition section. The film is now headed to the Berlinale where it will compete for the Golden Bear. We imagine that a distributor will emerge from the pack of interested buyers in the week to come.

The other major kudos went to A24’s Nuisance Bear which won the U.S. Documentary Competition, Shame and Money — winner of the World Cinema Dramatic Competition section, and To Hold a Mountain from the World Cinema Documentary Comp.… Read the rest

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Ha-chan, Shake Your Booty! | 2026 Sundance Film Festival Review

Ha-chan, Shake Your Booty! | 2026 Sundance Film Festival Review

Ha-chan, Shake Your Booty! | 2026 Sundance Film Festival Review

Strictly Soft Gloom: Wladyka’s Bereft Bliss Puts Spotlight on Rinko Kikuchi

Healing comes in baby steps — and dance steps in Josef Kubota Wladyka’s warm and rebellious third feature film outing. Conjoining the absurd with reality-check seriousness, like a trendy fusion restaurant, Ha-chan, Shake Your Booty! blends cultures, genres, languages, tones and various states of melancholy with unexpected buoyancy making for a film where the past tense exists in the present. Playing the one left behind, Rinko Kikuchi is in exquisite comedic form, anchoring the film with a character who is open, wounded, and flawed. Its flirtation with schmaltz, paired with an overuse of humor, blunts what might otherwise be a more piercing reckoning with grief, however, on the flip-side, the Japan-set, trilingual tug-of-war with memory is deeply in tune with ideas of rebirth and the subtle, interior work of renewal and emerges as a cathartic charmer.… Read the rest

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Birds of War | 2026 Sundance Film Festival Review

Birds of War | 2026 Sundance Film Festival Review

Birds of War | 2026 Sundance Film Festival Review

Soaringly Bittersweet: Boulos & Alkader Habak Fall in Love Amidst their Homeland’s Turmoil

Birds of WarHow can anything else hold your focus when you’re watching your country unravel before your eyes? There are the type of altruistic people that will happily (and heroically) put others before themselves even if it means sacrificing their own safety and comfort. This emphatically applies to the courageous directing tandem and subjects in Lebanese Arabic BBC correspondent Janay Boulos and Syrian photographer and activist Abd Alkader Habak. By placing the focus on their slow, tentative romance amid war, Birds of War shows how an intimate love story can coexist with far larger, more harrowing realities, from the oppression of the Syrian regime to political unrest in Lebanon.… Read the rest

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Everybody to Kenmure Street | 2026 Sundance Film Festival Review

Everybody to Kenmure Street | 2026 Sundance Film Festival Review

Everybody to Kenmure Street | 2026 Sundance Film Festival Review

Good Neighbours: Sierra Highlights Glasgow’s Proud Grassroots Protesting History with Endearing Yet Slight Doc

With immigration unlikely to fade as a pressing issue in the U.K. anytime soon, Chilean-Belgian filmmaker Felipe Bustos Sierra’s sophomore documentary carries a strong sense of urgency. Through talking heads interactions with protesters, reenactments of key moments and a collection of phone footage, Sierra urgently recalls a day in which the diverse community of Pollokshields stopped their neighbours getting cruelly deported. An eventually rousing portrayal of resistance and collective empathy, Everybody to Kenmure Street meanders and grows repetitive, but its message should touch world auds with its message of love and inclusion.… Read the rest

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