Ioncinema

The Debut | 2026 Toronto Intl. Film Festival Review

The Debut | 2026 Toronto Intl. Film Festival Review

The Debut | 2026 Toronto Intl. Film Festival Review

A Star Is Reborn: Julianne Moore Powers Jesse Eisenberg’s Latest With Peanuts & Monkey Blood

jesse-eisenberg-the-debut-reviewDreams of stardom can strike like lightning at any time. It’s not just a curse reserved for the young and naive. In Jesse Eisenberg’s mashup of The Simpsons episode “A Streetcar Named Marge” and Christopher Guest’s Waiting For Guffman, a middle-aged housewife suddenly becomes starry-eyed and stage bound. But The Debut, led by a full-tilt performance by Julianne Moore, can never quite decide if it’s on the side of its daydreamers or mocking them from afar.

In a podunk town in New Jersey, Mona Friedman’s (Moore) utility in her family has dried up.… Read the rest

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Children of the Monkey (I figli della scimmia) | 2026 Venice Film Festival Review

Children of the Monkey (I figli della scimmia) | 2026 Venice Film Festival Review

Children of the Monkey (I figli della scimmia) | 2026 Venice Film Festival Review

The Favorited Son: Landucci Looks at How Love Can Tear Us Apart

Tommaso Landucci Children of the MonkeyWhile it never explicitly dwells on the feeling that the film’s patriarch may have been dealt the ultimate short end of the stick, Tommaso Landucci’s fiction debut is the portrait of a father who momentarily allows himself to inhabit the mentor and lineage-making side of fatherhood (something impossible with his cerebral palsy afflicted son) feels emotionally sincere and powerfully authentic, largely thanks to a beautifully restrained Riccardo Scamarcio. Children of the Monkey (I figli della scimmia) sees a main performance that captures the complicated mixture of love, guilt, longing and projection that makes a father’s attachment to his boy feel less like a betrayal than an unsettling glimpse of the guardian he imagined he might become.… Read the rest

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Your Mother Your Mother Your Mother | 2026 Toronto Intl. Film Festival Review

Your Mother Your Mother Your Mother | 2026 Toronto Intl. Film Festival Review

Your Mother Your Mother Your Mother | 2026 Toronto Intl. Film Festival Review

Holy War: Mahershala Ali Unleashes Fatherly Vengeance

Your Mother Your Mother Your Mother Your Mother Your Mother Your Mother is an ambitiously rich, arthouse flavored action film that marks a step up for filmmaker Bassam Tariq and is easily Mahershala Ali’s best role and performance since Moonlight. After revealing a striking command of form and feeling with Mogul Mowgli, we find the familiar machinery of the hitman movie but this is something far more intimate and spiritually searching.

There is a world where Your Mother Your Mother Your Mother doesn’t exist. Back in 2022, Tariq and Ali were prepping a reboot of Blade. Pre-production and casting was underway, sets were being built, before Marvel got cold feet and pulled the plug.… Read the rest

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Back to Buenos Aires | 2026 Venice Film Festival Review

Back to Buenos Aires | 2026 Venice Film Festival Review

Back to Buenos Aires | 2026 Venice Film Festival Review

The Doctor and the Devils: Bechis Explores the Agony of Atonement

marco-bechis-back-to-buenos-aires-reviewThe title for Argentinian director Marco Bechis’ latest title, Back to Buenos Aires, is apt in several ways. A return to his native country after fifty-five years, Bechis utilizes a fictionalized account about a prodigal native going back to testify about the tortures he endured in the late 1970s during Videla’s dictatorship. Bechis himself survived abduction during this regime, and once again, as he did with his 1999 title Garage Olimpo, returns to the infamous car repair shop retrofitted as a torture center during this period. It’s a quiet film reflecting on self-reconciliation and atonement, focusing as much on what’s not being said rather than delving into the gruesome details customary during explorations of those crushed by the brutality of these disastrous eras.… Read the rest

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A Bit of Light | 2026 Venice Film Festival Review

A Bit of Light | 2026 Venice Film Festival Review

A Bit of Light | 2026 Venice Film Festival Review

Under the Cherry Moon: Asgari Lets the Sun Shine In

Ali Asgari continues to highlight the precariousness of navigating modern day Tehran with his latest feature, A Bit of Light, which speaks directly to citizens living day-to-day with the threat of an ongoing war instigated by the United States. As the title indicates, and has been Asgari’s custom, there’s an undeniable sense of hard-won optimism keeping his narrative afloat despite realities which breed apathy or despair. His latest is a bit more of a melancholic journey as it pertains to a doctor, who, upon doing the right thing, finds his carefully curated life in tatters.… Read the rest

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One Minute to Midnight (Un peu avant minuit) | 2026 Venice Film Festival Review

One Minute to Midnight (Un peu avant minuit) | 2026 Venice Film Festival Review

One Minute to Midnight (Un peu avant minuit) | 2026 Venice Film Festival Review

The Man Who Snubbed Women: Pariser Performs a Patriarchal Audit

There’s something that feels a bit ‘too little, too late’ in Nicolas Pariser’s latest film Un peu avant minuit (One Minute to Midnight), reuniting him with Melvil Poupaud, the star of his 2015 thriller Le Grand Jeu (in which the actor also portrays a man struggling with the sunset of his prime). A somewhat standard, arguably inconsequential man finds himself reappraising his relationships with women and the folly of his obliviousness with how he treated them, which often feels a bit trivial for anyone with a more well honed sense of self-awareness or actualization.… Read the rest

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NAZA | 2026 Venice Film Festival Review

NAZA | 2026 Venice Film Festival Review

NAZA | 2026 Venice Film Festival Review

Destroy Everything You Touch: Abraham & Szor Explore the Cogs of the Palestinian Genocide

Investigative journalists and documentarians Rachel Szor and Yuval Abraham follow up their Academy Award winning 2024 debut No Other Land with an exploration of the ongoing Palestinian genocide in Naza. Shot over three years from the rooftops of Tel Aviv, twenty-four Israeli intelligence specialists are interviewed, their identities undisclosed, faces and voices obscured as they relay not just information about Israel’s tactics in flattening Gaza but also how they process or understand their roles in murdering innocent women and children. The information covered in the film has already been reported, so there’s nothing exactly revelatory for those who’ve been paying attention.… Read the rest

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The Fire Within You (Il fuoco che ti porti dentro) | 2026 Venice Film Festival Review

The Fire Within You (Il fuoco che ti porti dentro) | 2026 Venice Film Festival Review

The Fire Within You (Il fuoco che ti porti dentro) | 2026 Venice Film Festival Review

The Shrill Seekers: De Angelis Turns to Comedic Caricature

For his latest venture, The Fire Within You, Edoardo De Angelis seems to be employing the idiom, ‘you can take the Napolitano out of Naples but you can’t take Naples out of the Napolitano.’ Perhaps it’s his intention to convey incredibly broad, overblown stereotyping with a cohort of dysfunctional family members gathering in Milan one increasingly protracted, ultimately dreadful Christmas Eve for some customary emotional bloodletting, and the lavish, exaggerated behaviors on display might indeed entertain fans of nonsensical, operatic gesturing. Unfortunately, there’s not one moment of emotional authenticity in what feels like an increasingly desperate attempt to squeeze some sort of pathos from all the clawing and caterwauling exchanged by a clutch of one-dimensional characters who make questionable decisions.… Read the rest

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A Good Little Soldier (Un bon petit soldat) | 2026 Venice Film Festival Review

A Good Little Soldier (Un bon petit soldat) | 2026 Venice Film Festival Review

A Good Little Soldier (Un bon petit soldat) | 2026 Venice Film Festival Review

A HR Manager Never Cries: Brize Takes on Executive Hypocrisy

When he’s not exploring intimate relationship melodramas, French director Stéphane Brizé has been one of the most prominent contemporary voices exploring toxic workplace scenarios of late stage capitalism and the despairing occupational realities somehow normalized as commonplace. Usually, he’s dealing with dramatic, life changing tragedies, often led by his frequent collaborator Vincent Lindon (who won Best Actor at the 2015 Cannes Film Festival for The Measure of a Man). Brizé returns to the executive realm he previously dipped his feet into with 2021’s Another World (also focused on Lindon), but this time focuses on a female lead in A Good Little Soldier, reuniting him with Alba Rohrwacher (star of his lovely and masterful 2023 romantic drama Out of Season).… Read the rest

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DAU | 2026 Venice Film Festival Review

DAU | 2026 Venice Film Festival Review

DAU | 2026 Venice Film Festival Review

Darkness Visible: Khrzhanovsky Reformulates Saga of Shattered Scientists

If ex-Attorney General and fascist sentinel Pam Bondi was ever credited as uttering anything worth repeating, it was her childish ‘emperor’s new clothes’ technique testifying before congress in her doltish redirect from exposing pedophiles to trumpeting the virility of the US economy. “That’s what we should be talking about!,” she hysterically screamed, like a Puritan witness during the Salem Witch Trials. Pam was entirely correct, as we should all be talking about the Dau project, one of the most singularly fascinating accomplishments in the history of cinema, directed by Ilya Khrzhanovsky. From one era of tyrants to another, it seems there’s a terrifying timelessness, underlined by the significant controversy also accompanying the various mutations of an experimental film project which was principally completed over fifteen years ago.… Read the rest

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