Ioncinema

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third feature, Rose (hands down was among read our glowing review), Austrian filmmaker Markus Schleinzer is now piecing together what could be quite an avant-garde biographic treatment of a singular artist’s rise within New York’s East Village art scene of the 1970s. Klaus Nomi will be the subject of his fourth feature film with Christian Friedel (who is also a musician in his own right) taking on the cult icon figure. Screen Daily reports Schubert’s Johannes Schubert will be producing the project which received a good chunk of change from the Vienna Film Fund.… Read the rest

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No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela Martelli’s sophomore feature The Meltdown (El Deshielo) has landed at Kino Lorber, marking a renewed collaboration between the distributor and the Chilean filmmaker. The idea will be to showcase the film at some fests, before a 2027 drop. At this point it’s too early to determine whether this will be Chile’s Oscar pick. Maya O’Rourke, Maia Rae Domagala, Saskia Rosendahl, Jakub Gierszal, Paulina Urrutia and Mauricio Pešutić star. The film was produced by Alejandra García for Ronda Cine, Alex C. Lo for Cinema Inutile and Andrés Wood for Wood Producciones. We were at the world premiere – you can see the intro below.… Read the rest

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Two Prosecutors | Review

Two Prosecutors | Review

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté

Sergei Loznitsa Two Prosecutors Movie ReviewA good man is hard to find, and if one were to be found, he’s likely wet behind the ears. So begins a retrospective parable in Two Prosecutors, the first narrative feature from perennial documentarian Sergei Loznitsa since 2018’s galvanizing Donbass (read review). His latest is an adaptation of a short story by Russian writer Georgy Demidov, a physicist who later served his own lengthy stint as a political prisoner only a year after this narrative’s setting. In comparison to Loznitsa’s previous narrative films, his latest happens to be his most straightforward, arguably simple.… Read the rest

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2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia Chokri and Camille Vidal-Naquet have landed important coin for their upcoming feature film projects via Eurimages. This round has supported 33 co-productions, including three documentaries and four animations, for a total amount of €10.2m. Kovalenko premiered her feature debut Unclenching The Fists at the 2021 Cannes Film Festival in the Un Certain Regard section where it won the top prize. She had been working on an English language project in ‘Holy Fools,’ but has now put her focus on Heavens Don’t Care – a France-Belgium and Armenia co-production. After significant amount of time away from feature films, Vidal-Naquet’s sophomore follow up is titled Aref.… Read the rest

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Dietrich in Four Acts: Agnieszka Holland Longs for ‘Berlinweh – Yearning for a Home’

Dietrich in Four Acts: Agnieszka Holland Longs for ‘Berlinweh – Yearning for a Home’

Dietrich in Four Acts: Agnieszka Holland Longs for ‘Berlinweh – Yearning for a Home’

Showing no signs of slowing down with the output of Charlatan (2020), Green Border (2023), and Franz (2025) this decade, Agnieszka Holland is entering the sewing circle following film history’s most iconic actress in Marlene Dietrich. The trades announce that the Polish filmmaker will direct Berlinweh – Yearning for a Home – a biopic in four time periods. The big question is who’ll take on the role — and will this be a solo performance or filled in by several actresses? X Filme Creative Pool’s Uwe Schott and Josephine Blume, Mike Downey, and Marlene Film Production’s Šárka Cimbalová are producing. No word yet on when this moves into production but we guess the timeline would be for a 2028 drop.… Read the rest

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Romería | Review

Romería | Review

Romería | Review

Blood Relatives: Simon Treads Familiar Water with Continued Autofiction

Carla Simón Romería Movie ReviewAfter winning the Golden Bear at the Berlin Film Festival for her 2022 sophomore film Alcarras, Carla Simón returns to the autobiographical roots inspiring Summer 1993 (2017), her debut feature. The narrative of a young girl who lost both parents to AIDS and is sent to live with relatives blossoms into a teenager’s search for identity in Romeria (an annual religious pilgrimage in Spain). Names and locations are changed with Simon’s return to this theme, which only shares a kinship through utilizing a main protagonist forced to confront the ignorance and resentment harbored by her estranged relatives.… Read the rest

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Alexandra Qin’s ‘Thirstygirl’ – Everything We Know So Far … (American Indie Edition)

Alexandra Qin’s ‘Thirstygirl’ – Everything We Know So Far … (American Indie Edition)

Alexandra Qin’s ‘Thirstygirl’ – Everything We Know So Far … (American Indie Edition)

She broke onto the scene when her 2023 short landed in the Sundance Film Festival (it was our top ranked short of that edition) and from there Alexandra Qin has been riding a wave morphing the short into her ambitious feature film debut. Working with themes of desire, control, compulsion, connection and self-destruction, here is everything we know so far (American Indie Edition) for … Alexandra Qin’s Thirstygirl.

IONCINEMA.com Everything We Know So Far...

Conceived from the 2023 short, Qin was selected as one of the six writers for The Black List inaugural Projects Lab and after that was selected for 2025 Sundance Institute Screenwriters and Directors Labs.… Read the rest

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Aga Woszczyńska’s ‘Black Water’ – Everything We Know So Far …

Aga Woszczyńska’s ‘Black Water’ – Everything We Know So Far …

Aga Woszczyńska’s ‘Black Water’ – Everything We Know So Far …

After a trio of shorts a decade or so back, Polish filmmaker Aga Woszczyńska landed on the film scene when her feature debut Silent Land shored up in the prestigious Platform section at TIFF back in 2021 for the hybrid edition of the fest. Pandemic ravaged her showcase, but she returns this year (most probably) with a sophomore feature that examines relationships under pressure, but this time expands into ecological thriller territory and mystery — an internal and external collapse. Here is everything we know so far for … Aga Woszczyńska’s Black Water.

IONCINEMA.com Everything We Know So Far...

Slowly patched together in late 2023, final funds were being added to the project in 2024 (it was part of the Venice Gap-Financing Market) with production taking place in late 2025 on the Åland Islands, an autonomous Finnish archipelago in the Baltic Sea.… Read the rest

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Disappearing Act: Thomas Salvador Follows Rebecca Marder, Nadia Melliti & Antoine Reinartz in ‘Chercher la fille’

Disappearing Act: Thomas Salvador Follows Rebecca Marder, Nadia Melliti & Antoine Reinartz in ‘Chercher la fille’

Disappearing Act: Thomas Salvador Follows Rebecca Marder, Nadia Melliti & Antoine Reinartz in ‘Chercher la fille’

Rebecca Marder, recently seen in Ozon’s The Stranger, Nadia Melliti, who captured the Cannes Best Actress prize for La petite dernière, and Antoine Reinartz (Anatomy of a Fall) are set to lead the cast of Chercher la fille, the third feature from Thomas Salvador. The Cineuropa folks report that production has already begun in Paris and is scheduled to wrap next month. Salvador and Sophie Cattani round out the ensemble. The film is produced by Julie Salvador, with Olivier Marguerit composing the score and Alexis Kavyrchine serving as cinematographer. Salvador’s last feature was La montagne (2022) – the magical realist alpine misadventure (some rather trippy moments in this film) was selected for the Directors’ Fortnight — so perhaps we are setting this up for a repeat Croisette showcase.… Read the rest

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2026 Cannes Film Festival – Checklist of Our Reviews

2026 Cannes Film Festival – Checklist of Our Reviews

2026 Cannes Film Festival – Checklist of Our Reviews

IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all sections, including logged reviews and forthcoming ones. Our Cannes coverage continues well beyond the festival dates.

Competition
All of a Sudden Soudain – Ryusuke Hamaguchi [Review]
Garance – Jeanne Herry [Review]
The Beloved – Rodrigo Sorogoyen [https://www.ioncinema.com/reviews/rodrigo-sorogoyen-the-beloved-el-ser-querido-review]
Histoires de la Nuit – Léa Mysius [Review]
Amarga Navidad – Pedro Almodóvar [Review]
La bola negra – Javier Calvo and Javier Ambrossi [Review]
Coward – Lukas Dhont [Review]
The Dreamed Adventure – Valeska Grisebach [Review]
Fatherland – Paweł Pawlikowski [Review]
Fjord – Cristian Mungiu [Review]
Gentle Monster – Marie Kreutzer [Review]
Hope – Na Hong-jin [Review]
Notre Salut – Emmanuel Marre [Review]
The Man I Love – Ira Sachs [Review]
Minotaur – Andrey Zvyagintsev [Review]
Moulin – László Nemes [Review]
Nagi Notes – Koji Fukada [Review]
Paper Tiger – James Gray [Review]
Parallel Tales – Asghar Farhadi [Review]
Sheep in the Box – Hirokazu Kore-eda [Review]
L’Inconnue – Arthur Harari [Review]
La Vie d’une Femme – Charline Bourgeois-Tacquet [Review]

Un Certain Regard
All the Lovers in the Night – Yukiko Sode
Ben’Imana – Marie Clémentine Dusabejambo
Club Kid – Jordan Firstman
Congo Boy – Rafiki Fariala
Elephants in the Fog – Abinash Bikram Shah
Everytime – Sandra Wollner
Forever Your Maternal Animal – Valentina Maurel
A Girl’s Story – Judith Godrèche
I’ll Be Gone in June – Katharina Rivilis
Iron Boy – Louis Clichy
The Meltdown – Manuela Martelli
La más dulce – Laïla Marrakchi [Review]
Teenage Sex and Death at Camp Miasma – Jane Schoenbrun [Review]
Titanic Ocean – Konstantina Kotzamani [Review]
Ulya – Viestur Kairish
Victorian Psycho – Zachary Wigon
Quelques Mots d’Amour – Rudi Rosenberg
Yesterday the Eye Didn’t Sleep – Rakan Mayasi
Ulysse (closing film) – Laetitia Masson

Midnight Screenings
Colony – Yeon Sang-ho
Full Phil – Quentin Dupieux
Jim Queen and the Quest for Chloroqueer – Nicolas Athané and Marco Nguyen
Roma Elastica – Bertrand Mandico
Species – Marion Le Coroller

Cannes Premiere
Aquí – Tiago Guedes
The End of It – Maria Martínez Bayona
The Samurai and the Prisoner – Kiyoshi Kurosawa
Mary Magdalene – Gessica Généus
The Match – Juan Cabral and Santiago Franco
Mariage au goût d’orange – Christophe Honoré
Si Tu Penses Bien – Géraldine Nakache
When the Night Falls – Daniel Auteuil
Visitation – Volker Schlöndorff

Special Screenings
Ashes – Diego Luna
Avedon – Ron Howard
Cantona – David Tryhorn and Ben Nicholas
Che Guevara: The Last Companions – Christophe Réveille
Groundswell – Josh Tickell and Rebecca Harrell Tickell
John Lennon: The Last Interview – Steven Soderbergh
Marvelous Mornings – Avril Besson
Molière, Cyrano and the Young King – Michel Leclerc
Rehearsals for a Revolution – Pegah Ahangarani
Spring – Rostislav Kirpičenko
Tangles – Leah Nelson
Le Triangle d’Or – Hélène Rosselet-Ruiz
Women on Trial – Lauriane Escaffre and Yvo Muller

Out of Competition
Crescendo – Agnes Jaoui
La Bataille de Gaulle: L’Âge de Fer – Antonin Baudry
Diamond – Andy Garcia
Forsaken – Vincent Garenq
Her Private Hell – Nicolas Winding Refn [Review]
The Electric Kiss – Pierre Salvadori [Review]
Karma – Guillaume Canet

Directors’ Fortnight
9 Temples To Heaven – Sompot Chidgasornpongse
Atonement – Reed Van Dyk
Butterfly Jam – Kantemir Balagov [Review]
Clarissa – Arie Esiri and Chuko Esiri
Death Has No Master – Jorge Thielen Armand
The Diary of a Chambermaid – Radu Jude
Dora – July Jung
La Libertad Doble – Lisandro Alonso
Gabin – Maxence Voiseux
I See Buildings Fall Like Lightning – Clio Barnard
Low Expectations – Eivind Landsvik
Once Upon a Time in Harlem – William Greaves and David Greaves
La Perra – Dominga Sotomayor
Shana – Lila Pinell [Review]
Thanks for Coming – Alain Cavalier
Too Many Beasts – Sarah Arnold
Le Vertige – Quentin Dupieux
Viva Carmen – Sebastien Laundenbach
We Are Aliens – Kohei Kadowaki
Les Roches Rouges – Bruno Dumont (Special Screenings)

Critics’ Week
Viva – Aina Clotet
Dua – Blerta Basholli
A Girl Unknown – Zou Jing
La Gradiva – Marine Atlan
Six Months in a Pink and Blue Building – Bruno Santamaría [Review]
The Station – Sara Ishaq [Review]
Tin Castle – Alexander Murphy

Special Screenings
Adieu Monde Cruel – Félix de Givry
Flesh and Fuel – Pierre Le Gall [Review]
In Waves – Phuong Mai Nguyen
Stonewall – Julien Gaspar-Oliveri… Read the rest

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