Ioncinema

The Brutalist family reunion continues as Screen Daily reports that Antonia Campbell-Hughes’ sophomore feature Diamond Shitter (which will also be known as the generic title of High End in some markets) have castt Andrea Riseborough and Guy Pearce alongside Raffey Cassidy and Alessandro Nivola — they replace the previously announced Eva Green and Ben Whishaw. Production began this week in Geneva, Switzerland and it will continue in Ireland until the second week of April. Key folks behind the lines include Lanthimos-regular Robbie Ryan as director of photography, Saffron Cullane as costume designer, John Leslie as production designer, and John Walters as editor.… Read the rest

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For those who might not have caught wind of the news this past Monday, we finally have a new film project by auteur American indie Rome-based auteur Jonas Carpignano. After completing his trilogy which began with 2015’s Mediterranea moving into 2017’s A Ciambra (read review) and 2021’s A Chiara, he is set to adapt a thriller suspense novel published back in 2017 and Tessa Thompson is attached for the lead. Deadline reports that A Separation (obviously not a remake of Asghar Farhadi’s 2011 sublime divorce drama), will be shot in southern Greece and produced by Linden Productions’ Riva Marker with Viva Maude’s Kishori Rajan and Greta Caruso, and Faliro House’s Christos V.… Read the rest

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One of the rare Sundance Institute promoted projects that participated in all three Sundance Labs (Screenwriters, Directors, and Producers) filmmaker Hanna Gray Organschi has landed the heroine for her feature debut. Deadline reports that Grace Van Patten is attached to topline Rubber Hut for what will be a summer shoot which means it has a legit chance at grabbing a competition spot for the upcoming 2027 Sundance Film Festival edition. Willa’s Elizabeth Woodward and Stone Fruit Productions’ Tara Sheffer are producing. Indie vets Anne Carey and Jason Michael Berman will be exec producing. We had the chance to speak to the filmmaker fresh from the Screenwriter’s Lab – we thought of Alexander Payne type vibes when reading about the project on paper.… Read the rest

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With a selection of films dating back to last year’s Cannes such as Alexe Poukine’s Kika (read review), with generous helping of Venice Film Festival and select items such as Pete Ohs‘ Erupcja from TIFF (read review) and as recent as the Berlinale, the lineup has been announced for the 2026 edition of New Directors/New Films. The 55th edition takes place between April 8th to the 19th and they’ll open with Adrian Chiarella’s Leviticus (fresh from Sundance) and close with Rosanne Pel’s Donkey Days (which debuted at the Locarno Film Festival). We are looking at a dozen features, 17 North American premieres, and of course the shorts line-up:

Agon dir.… Read the rest

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Spanish filmmaker Àlex Lora (winner of Sundance’s Grand Jury Prize for his 2024 short) has completed production on his sophomore feature film. The folks at Cineuropa report that L’escletxa (aka The Fissure) (which was shot in Barcelona this past fall) is now in post production. The cast includes Anna Alarcón, Mourad Ouani, newcomers Younes Tisghiti, Walid Zaghdoud and Maia Vila, with Alex Brendemühl shoring up in a smaller capacity. Locarno, Venice, Toronto and San Sebastián are all legit film fests that could nab the world premiere. Lora already has his third feature in the works in Blue-Smurf Ice Cream which could move into production as early as this year.… Read the rest

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Buenos Aires born filmmaker Benjamín Naishtat has steadily become one of the premiere voices in Argentinian cinema with the entire body of his work premiering at the major film festivals. His 2014 debut Historia del miedo premiered at the 64th Berlinale, 2015’s El movimiento premiered at the Locarno, and 2018’s Rojo premiered at TIFF and San Sebastián – the same lieu where he premiered 2023’s Puan with María Alché. His cinema is political and critical of Argentina’s past, and carries a certain ambiguity favoring mood and tone over straight forward narratives. This next project (his five feature film) looks set to flirt with genre conventions only to discard them, shaping something sultry, noir-tinged and sharply biting in themes of desire and revenge.… Read the rest

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It might be the best film of 2025 being launched in … 2026. Silent Friend, which premiered at the Venice Film Festival and was an instant favorite among critics and was lassoed by the 1-2 Special folks and now we have a firm release date (May 8th) and trailer debut.

In our ★★★★ review, Nicholas Bell says “with a vibrating audio palette and crisply edited finesse, Silent Friend becomes a sensuous immersive experience, flitting between observational instances of periods and characters, pollinating the audience with characteristics of its players with just enough information to keep desiring more. A structure similar to Bertrand Bonello’s 2023 masterpiece The Beast (also starring Seydoux) utilizes a same sense of how humankind’s essence travels beyond the mortality of the flesh.… Read the rest

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Before becoming Pope John Paul II, Karol Wojtyla was very much both an intellectual and, for a significant part of his life, an ordinary citizen. His philosophical writings was appreciated by others. His personal life from priesthood onwards is probed in Bertrand Bonello‘s Santo Subito! which began lensing last week and we now learn the identity of a web of players in what is a proposed Vatican thriller. Variety reports that Charlotte Rampling, Andrzej Chyra, Cezary Żak, Marisa Borini, Adam Bessa and Anton Lesser are all playing real figures in what we confidently predict will land in a Palme d’Or or Golden Lion competition slot next year.… Read the rest

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Staples of Naples: Rosi Sifts Through Timeworn Sediments

The past informs the present of modern day Naples in Below the Clouds, the latest documentary from Gianfranco Rosi. Much like his famous filmmaking father Francesco Rosi sought to mine Italy’s past through narrative cinema, his son continues his homage to their country in documentary form. In the vein of his earlier Golden Lion winning Sacro GRA (2013), which depicted a smattering of lives connected to the circular roadway on the outskirts of Rome, and his Golden Bear winning Fire at Sea (2016), which dealt directly with the refugee crisis affecting modern day Lampedusa, his latest is a mixture of how colliding histories shift interpretations.… Read the rest

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Entering his third decade of filmmaking with this decade seeing three Venice Film Festival preemed films in 2020’s New Order, 2021’s Sundown, 2023’s Memory with last year’s Dreams going the Berlinale route, Michel Franco moves far off his normal Mexico/United States backdrop for his tenth feature film. Violence, detachment, isolation and disconnection are touchstone themes in his work, and here Franco crawls back into Israel’s history and the story of Meir Har Zion. Here is everything we know so far … for Michel Franco’s Circles.

Shot at the very start of January last year, as with all his work we’re kept in the dark and often only find out abiout projects a bit after the fact.… Read the rest

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