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Species (1995)
director:
Ezequiel Pini
running time:
5 min.
synopsis
Normally governed by circular, organic, and sinuous shapes, from cells and organs to planets and the cosmos, this piece deviates from the predictable. It reimagines these familiar patterns through the lens of geometry, where elegant, flowing lines of nature transition into sharp, precise edges. Dominated by rhombuses, squares, and straight lines, the artwork represents a fascinating renaissance, juxtaposing the organic with the geometric in a thought-provoking display. Nature undergoes a stunning transformation, reimagining itself with defined edges and geometric elegance, weaving a charming tapestry of the extraordinary. Species once again attempts to blur the line that separates imagination from reality, inviting the viewer to explore a world where the organic and the geometric coexist harmoniously. Through a meditative lens, Ezequiel Pini (Six N. Five) redefines our understanding of natures creativity, offering a poetic journ
Normally governed by circular, organic, and sinuous shapes, from cells and organs to planets and the cosmos, this piece deviates from the predictable. It reimagines these familiar patterns through the lens of geometry, where elegant, flowing lines of nature transition into sharp, precise edges. Dominated by rhombuses, squares, and straight lines, the artwork represents a fascinating renaissance, juxtaposing the organic with the geometric in a thought-provoking display. Nature undergoes a stunning transformation, reimagining itself with defined edges and geometric elegance, weaving a charming tapestry of the extraordinary. Species once again attempts to blur the line that separates imagination from reality, inviting the viewer to explore a world where the organic and the geometric coexist harmoniously. Through a meditative lens, Ezequiel Pini (Six N. Five) redefines our understanding of natures creativity, offering a poetic journ
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