Charli XCX’s meteoric rise as a mega-pop-star has been anything but meteoric. It’s been a slow, upward descent, from posting videos on a long-defunct social-media platform, MySpace, in 2008 at the age of sixteen, to signing with a record label two years later, followed by mixtapes, collabs, and ultimately, a series of albums, each one bigger than the last, culminating with the 14-track album, “brat,” two years ago and the subsequent social media frenzy that turned Charli XCX into a worldwide pop-cultural phenemenon. That might as well have been a decade ago and the late, lamented summer of 2024. Since then, “brat summer” has congealed into a rapidly fading pop-cultural, vaguely remembered collective memory. For “Charlie XCX,” the lightly tweaked iteration of…
In a world where all press is good press we are following up on the release of the teaser trailer for the new Faces of Death movie on Tuesday. It got yanked by YouTube, who issued a takedown notice for its “violent or graphic content.” Allow me to play the cynic on this one. Ahem. Cough. “Quelle Suprise!” Hats off to the marketing team for trying to generate controversy and outrage, hopefully enough to garner more interest in this modern iteration of the cult series of films and get those bums in seats. And today, Independent Film Company and Shudder announced that they have acquired North American rights to this new film and will handle the theatrical release on…
Vicky Jewson’s thriller, PRETTY LETHAL, will stream globally on Prime Video days after its World Premiere at SXSW
“Five ballerinas, stranded in a remote forest … must weaponize!” If that partial quote, borrowed from a film below, doesn’t get you excited for SXSW 2026, I don’t know what will, my friends. We’ve already covered the opening night film as well as the first wave of programming. Now comes an additional wave for the 33rd edition of the Film & TV Festival, with dozens more titles spread across film, TV, and XR. “We’re thrilled to share more of our 2026 lineup,” said Claudette Godfrey, VP Film & TV. “We’ve assembled an extraordinary range of voices and visions: bold new filmmakers, high-profile studio premieres, gripping series, powerful documentaries, and stunning international cinema. “Every year, I’m blown away by the caliber of talent that chooses SXSW…
Joe Dante’s dark comedy also stars Bruce Dern and Carrie Fisher.
Joachim Trier and Eskil Vogt reflect on how long-term collaboration, actor-centered process, and a resolutely European production ethos shaped a film built around time, absence, and the quiet mechanics of family power.
Deadline is reporting that Sophie Wilde, star of Talk to Me and Babygirl, is set to star in an upcoming sci-fi thriller, Soon You Will Be Gone And Possibly Eaten. Rob and Sabile, a young engaged couple, who head to a secluded mountain resort to take their vows and step into the new chapter of their shared lives. What was planned as a joyous wedding attended by family members takes a different turn when unexpected guests crash the ceremony. Apart from being an early contender for film title of the year, and having Wilde attached to the project, there are equally interesting people on board, who have been doing interesting things as well. Egor Abramenko, the filmmaker behind A24’s upcoming horror film…
Olivia Colman, Aud Mason-Hyde, and John Lithgow star in writer-director Sophie Hyde’s queer-centered generational drama.
An austere yet intuitive debut, the film observes childhood not as innocence lost but as a state of restless transit, where movement, solitude, and imagination quietly collide.
Two things are inevitable in this world: death, and horror films that really want you to know that they’ve seen other horror films. Director Corin Hardy’s Whistle is a little bit of both, a throwback to a horror of a less serious age jam-packed with gory death scenes that occasionally surprise, but more frequently fall flat due to an overreliance on mediocre computer-generated graphics. Six months after the mysterious spontaneous combustion of a high school basketball hero, his old locker is issued to goth-adjacent troubled teen transfer student, Chrys (Dafne Keen, short for Chrysanthemum, poor kid. She’s attempting to re-enter society by joining her cool cousin Rel (Sky Yang) at Pellington High, but the school’s choice to reallocate the popular dead boy’s locker irks some…


