It’s impossible for any one film to complete define a particular country at a specific moment in time. Countries and cultures are too vast, too multiple, too varied to be quantified in 90 minutes. But a film can capture a place and time strongly enough that it becomes not only a time capsule of the past, but a window into how a place and culture might be what it is in the contemporary. Cairo Station is arguably such a film. While it was not successful in its home country when released, over the decades it has become recognized as a pillar of Egyptian cinema. Youssef Chahine’s tale of the working poor at the main railway station, their struggles, their love, their obsessions and their violence, is…
Locarno Pro 2025 highlighted a diverse range of international projects, with industry awards recognizing emerging talent, cross-border collaborations, and new developments in independent cinema.
Canadian writer-director Éric K. Boulianne reflects on the artistic, ethical, and production risks of ‘Follies,’ charting a course from DIY filmmaking to on-screen intimacy.
Plus: John Hughes’ ‘The Breakfast Club,’ Reginald Hudlin’s ‘House Party,’ Howard Hughes’ ‘Hell’s Angels,’ and Abbas Kiarostami getes Eclipsed.
Norwegian director Janicke Askevold offers a restrained yet layered exploration of solo motherhood, merging Scandinavian arthouse sensibilities with subtle genre elements to examine shifting family dynamics in contemporary society.
A romantic anniversary trip to a secluded cabin turns sinister when a dark presence reveals itself, forcing a couple to confront the property’s haunting past.
German director Julian Radlmaier shifts from overt satire to a more lyrical mode, delivering a psychogeographic portrait of precarious lives and fleeting solidarities in a post-socialist landscape.
A loyal dog moves to a rural family home with his owner Todd, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.
Director Mohamed Jabarah Al-Daradji constructs a fragmented, myth-infused portrait of post-ISIS Baghdad, where the traumas of a lost generation unfold through the eyes of a silent child wandering between memory, violence, and ancient legend.
Ahead of this week’s release of ‘Honey Don’t,’ we look back at last year’s solo effort by Ethan Coen.


