Screen Anarchy

Echoes: Sarmad Sultan Khoosat’s LALI, Eccentric Auteur Blooms in Berlin

Echoes: Sarmad Sultan Khoosat’s LALI, Eccentric Auteur Blooms in Berlin

The 2026 Berlin Film Festival has concluded, and the winners have been announced, notably Yellow Letters. Despite not being able to win any prize at the 76th Berlinale, an all-Pakistani production definitely made waves at its premiere. Packed with the Pakistani community, the screening was warmly welcomed by Berlin’s audience. I’m talking about Lali, directed by Sarmad Sultan Khoosat. Talking to The Hollywood Reporter, Khoosat elaborated on the meaning of the title: “Lal means red, and if somebody’s blushing, you’ll say that they have lali on their cheeks. But there are two versions of it, one uses a different alphabet. So if you change that, Lali also means sun.” Red is pretty much the central theme of the film, but the director resolved that he…

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Watch GOOD LUCK, HAVE FUN, DON’T DIE Video Interview: Director Gore Verbinski

Watch GOOD LUCK, HAVE FUN, DON’T DIE Video Interview: Director Gore Verbinski

It was exciting enough to see the new Gore Verbinski film, Good Luck, Have Fun, Don’t Die, months ahead of time at Fantastic Fest 2025. But I was shocked to hear I’d actually scored a face-to-face interview. It underscored for me just how much I love the man’s work. He’s the kind of director who does big mainstream movies about decidedly odd stuff. Pirates of the Caribbean: Curse of the Black Pearl was based a theme park ride and introduced one of the most eccentric characters ever.  Verbiniski has been all over the genre map leaving solid marks along his path. Mouse Hunt (1997) is a marvelous bit of stunt-laden slapstick that makes great use of stars Nathan Lane, Lee Evans and Christopher Walken. The…

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BLADES OF THE GUARDIANS Interview: Director Yuen Woo-ping on Passing the Baton and Still Learning After Over 50 Years

BLADES OF THE GUARDIANS Interview: Director Yuen Woo-ping on Passing the Baton and Still Learning After Over 50 Years

There are few filmmaking visionaries whose work has touched more than Yuen Woo-ping. A triple-threat stuntman, choreographer and director, his illustrious career began hand-in-hand with Jackie Chan’s, helming the seminal Snake in the Eagle’s Shadow and Drunken Master in 1978 and supercharging the Hong Kong film industry with a new brand astonishing martial artistry and bawdy comedy. His eye for high-impact and idiosyncratic fighting styles took him to Hollywood, lending his talents to the Wachowski Sisters’ Matrix series and Quentin Tarantino’s Kill Bill diptych, projects which bookended the unprecedented international success of his iconic wirework in Ang Lee’s Crouching Tiger, Hidden Dragon.  After a ten-year gap, we at Screen Anarchy were overjoyed to be able to talk to him a second time for the release of his new blockbuster, Blades of the Guardians,…

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