Screen Anarchy

After writer/director James Gunn and producer Peter Safran were appointed as the new co-heads of DC Studios in November 2022, plans for the studio’s rebooted slate began to take shape, with details about upcoming projects gradually emerging. In 2023, it was announced that Andy Muschietti, known for directing the It films and series, would helm The Brave and the Bold.​ It’s 2026 now, and the film still hasn’t entered the production phase yet, though The Hollywood Reporter confirmed this past January that Muschietti was still attached to the project, with Christina Hodson (The Flash) tapped to write. Even so, the film has the power to influence people with its waiting time, as DC fans cannot hold their excitement. It will be the first DC film…

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Ice Cream Man follows an idyllic summer town descending into madness when an ice cream man serves kids sweet delights with horrifying results.

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Filmmakers Peter Mortimer and Nick Rosen unpeel the multi-layered life and legacy of Dean Potter, climber extraordinaire and extreme sports enthusiast.

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Well Go USA have announced plans to celebrate the ten-year anniversary of Yeon Sang-ho’s international hit, Train to Busan. On top of that, they have also acquired Yeon’s most recent zombie flick, Colony, and have plans for that release as well.    Train to Busan will return to cinemas in the U.S. and Canada on August 14th in glorious 4K for the first time. Two weeks later, Well Go USA releases Colony in cinemas. You can check out the teaser trailer below.    Colony will have its world premiere at Cannes next month. There will be enough time between the premiere and theatrical for prominant, summer genre festivals to feature it in their lineups. We’re looking at you, Fantasia!   TRAIN TO BUSAN Returns to…

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Plus: ‘Erupjca,’ ‘Ballistic,’ ‘Mile End Kicks,’ ‘Amrun,’ ‘Mad Bills to Pay,’ and more.

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Acts. Questions. Steps. Leaps. All words with which ‘of faith’ can be easily and appropriately clipped on, and applied especially to Caroline Golum’s Revelations of Divine Love, a micro-budget marvel of faith-based cinema that dramatises (and implicitly modernises) the writings of Julian of Norwich, a 14th century ‘anchoress’ whose eponymous and influential text detailed social upheaval from within the thick stone walls of a church. We find Julian (Tessa Strain) at the beginning of her tale, ailing from a mysterious illness. Her last rites prompt vivid and fervorous visions of Christ which bring her back from the brink, immediately qualifying her for the honored position of local anchoress. For all the spiritual plaudits this brings, she will remain in a bricked-up room at the edge…

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In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at selected music videos by Edgar Wright. Somehow it is a wonder that Edgar Wright has never done a full blown animation feature, nor a full-on traditional musical, especially when looking at his music video output. In his early and recent music video work, he fully embraces animation as a medium, and the musical as a genre, sometimes mixing both to great effect. One of his early music videos is one of two he made for Charlotte Hatherley. I want to single out Bastardo (see below), where he uses minimal animation and the now somewhat archaic medium of photographed comic books. Bastardo shows the…

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James Mark directed the action thriller, starring Orphée Ladouceur-Nguyen, Tim Rozon, Mitra Suri, Alain Moussi, and Lisa Berry.

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A couple reunites their wedding party at the abandoned hotel where they were married, seeking closure over a bridesmaid’s mysterious disappearance–but as old secrets resurface and the world teeters on collapse, the night spirals into a reckoning with devastating consequences.

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