Two decades after her brother mysteriously disappeared on Vancouver Island, a documentary filmmaker sets out to solve his missing person’s case. When a disturbing piece of evidence is revealed, she comes to believe he might still be alive.
At this point we are fully committed to seeing this promotion blitz for Faces of Death through to the end. We are not in it to win it, but, if we do not see this all the way through we do not know what would happen to us. Accidents do “happen”. In Faces of Death, the exploration of the original film’s infamous “is it real or not?” conceit continues as a woman (Ferreira) working as a content moderator for a major video platform discovers what appears to be re-enactments of murders from the original film. In an online world where nothing can be trusted, she must determine whether the violence is fiction, or unfolding in real time. With just over a week…
The power of the gun is terrible and beautiful in equal measure in the work of John Woo, the inarguable alpha dog of the Hong Kong heroic bloodshed genre, whose unrelentingly and entertainingly violent streak in the late 80s and early 90s defined an era of melodramatic excess in action cinema. An infinite ammo clip here, a slow-motion dove there, symbols of devotion and faith scattered everywhere, there’s never been a cliche Woo didn’t define and then transcend, all in the name of high-calibre visceral emotion. Plum in the middle of his Hong Kong golden era (sandwiched between two A Better Tomorrow films and the furious double-header of Bullet in the Head and Hard Boiled) is The Killer, perhaps the most achingly romantic he has…
When a routine drug deal goes south for the Denton brothers, they must fight for their lives if they’re going to survive the night.
Grief is not a straight line that slowly leads from deep sorrow to acceptance and remembrance; it comes in waves, and can reignite like a bonfire at the strangest moments, even decades on. Fear can likewise come like an tornado that threatens to fling you into oblivion. Addiction can be a blessed relief from all that which tears at our souls, even if it kills us. Alpha, the third feature from Julia Ducournau (Raw, Titane), is an exploration of wounds fresh and old, the pain of growing up an outsider, the treatment of those marked as different and those who mark themselves. In this story of a girl’s brush with death, the harsh lesson inflicted on her by a mother who blames herself for that over…
Cliff, a young man living in a desert town receives a surprise visit from his con-artist birth mother. Chaos ensues as he’s led on a mysterious and wild trail of secrets.
Long-buried wounds rise to the surface when iconic pop star Mother Mary reunites with her estranged best friend and former costume designer Sam Anselm on the eve of her comeback performance.
Eli Roth’s Ice Cream Man will hit 2000 theaters across the U.S. on August 7th. The teaser poster was released earlier today. Check it out below the announcement. The Horror Section Presents Eli Roth’s Ice Cream Man IN THEATERS AUGUST 7, 2026 THE HORROR SECTION SETS A WIDE THEATRICAL RELEASE FOR ELI ROTH’S CHILLING NEW FILM ICE CREAM MAN The Horror Section, a media company focused on creating the world’s premier genre brand, today announced that horror auteur Eli Roth’s chilling new film Ice Cream Man will hit theaters August 7, 2026. The film will have a theatrical run in North America on over 2000 screens via Iconic Events Releasing. Ice Cream Man follows an idyllic summer town descending into madness…
After the off-the-wall, bizarro genius of his feature Sorry to Bother You, about a man using a white voice in his telemarketing hob that leads to uncovering a conspiracy that includes people turning into horses, and his limited series I’m A Virgo, about a gentle giant (and I mean giant) who takes on his city’s not-so-super-hero, I’m ready to follow Boots Riley anywhere. And his new film I Love Boosters looks like another insane, funny, brightly coloured, raunchy, and whipsmart story. The tagline: ‘A crew of professional shoplifters take aim at a cutthroat fashion maven. It’s like community service.’ The film features an all-star ensemble cast with Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza Gonzalez, LaKeith Stanfield, Don Cheadle and Demi Moore. Need we say more? Except…
A strange doorway appears in the basement of a furniture showroom.