Screen Anarchy

SXSW 2026 Review: GRIND, The Gig Economy Is Killing Gen Z, Literally.

SXSW 2026 Review: GRIND, The Gig Economy Is Killing Gen Z, Literally.

The gig economy is killing Gen Z, and Grind has something to say about it. This anthology film from directors Brea Grant (12 Hour Shift), Chelsea Stardust (Satanic Panic), and Ed Dougherty explores the unique and exquisite pains of making ends meet in a brave new world where a full-time job can feel like a pipe dream. Composed of four main interconnected segments co-written by Grant and Dougherty, Grind takes on the many ways that The Man takes advantage of the little people who are just barely scraping by. Episodes imagining the various real and imagines horrors of social media influencer culture, the perils of food delivery drivers, the degradation of the human soul experienced by content moderators, and those who dare to attempt to…

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Friday One Sheet: OBSESSION

Friday One Sheet: OBSESSION

We posted the trailer and poster for Curry Barker’s darkly whimsical horror comedy, Obsession, earlier this week. However, the key art, from design house grandson, bears a bit more discussion in today’s column. Sometimes, simply an iconic still from the movie does indeed make the perfect poster. As the lead stares uncertainly at the ‘magical object’ that is about to turn his life upside-down in a ‘monkey’s paw’ kind of way, his would-be girlfriend ominously stands in the background as a shadow bathed in light — a superb visual storytelling image in a film filled with them.  Meanwhile, the title card comes literally between them, with a hint of chromic aberration. Much like the work of Akiko Stehrenberger, the credit block eschews its formal marketing placement…

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Overlook 2026: First Wave Announced, Feat. OBSESSION, LEVITICUS, HOKUM, And The Films of Larry Fessenden

Overlook 2026: First Wave Announced, Feat. OBSESSION, LEVITICUS, HOKUM, And The Films of Larry Fessenden

We are, admittedly, a couple of days behind on this announcement of the first wave of titles for this year’s tenth edition of the Overlook Film Festival. Shame on us.    But there is no shame to be had if you’re a programmer at the festival. They have announced a first wave packed with festival hits like their opening film, Obsession, and centerpiece, Leviticus. And what we imagine will be a hit on the circuit, Damian McCarthy’s Hokum, will close out this year’s festival.    Larry Fesseden’s new film, Trauma, or Monsters All, will have its world premiere at the festival. In addition to that treat, three more of Fessenden’s films will be screened during the event. Other films that have been in the news lately…

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