The first titles announced for the 79th Cannes Film Festival.
It’s not perfect, but if this is Netflix’s newest “Ozark Lite,” it’s a better one than most of that imitative field.
If the goal is to reflect a lack of direction or focus in the quarter-life crises of its characters through a show that also can’t maintain a train of thought than mission accomplished.
A setup that begs you to pay attention.
A closing routine that’s about legacy, friendship, and the power of a perfect punchline.
We announce an exciting new gig for our regular contributor, and the former cohost of Ebert and Roeper at the Movies.
It’s a story we’ve heard told before, and better, and “The Audacity” hardly gives these ideas the upgrade they need.
A senior prank becomes a moral test in this month’s short film showcase.
“The Boys” has always been a show that gives its actors challenging material, but this season takes the cake.
Perpetuates my fears about Dave Filoni and this new era of “Star Wars.”