Some electroshock under-the-radar news this morning as we learn that British filmmaker Luna Carmoon has been hard at work on her sophomore feature – having wrapped up filming with Naomi Ackie, Alison Oliver, Éanna Hardwicke and Armande Boulanger toplining. And the major news scooped up Screen Daily is that Hélène Louvart was the cinematographer here on To Make Ends Meat. Production took place in Carmoon’s homebase of London with Erebus Pictures’ Helen Simmons and Delaval Film’s Loran Dunn returning as producers. The big question that remains is if they’ll rush to meet the Venice deadline for a Orizzonti section inclusion or wait for what will be a lot more options for 2027.… Read the rest
“Propaganda, to be effective, must be believed. To be believed, it must be credible. To be credible, it must be true,” so said 
In 1927, The New York Times declared that Warsaw had regained its pre-war status as Paris Of The North, calling it the “gayest, cleanest and most feminine of European cities.” However, the distinctive charms of its prewar architectural glamor have undergone a change, with the skyline now dotted by towering modern edifices such as the Warsaw Spire, Zlota 44, and The Bridge. Even the old school trams have been replaced with modern light rail. The characters in Pete Ohs delightful Erupcja are similarly caught between past and present in this summery, loose-limbed look at relationships under scaffolding.… 
