Mary Ellis – MRQE

Spitfire

Tue, 26 Aug 2025 04:00:00 +0000

A feature documentary about the people and the planes that helped win World War War II. Through people personally connected to the events, the film investigates the story of how the Spitfire, its stable-mate, the Hawker Hurricane and its great adversary, the Messerschmitt 109 came into being during the huge advances in aviation in the interwar periodand then how the pilots fared in combat, three miles up in the skies over Europe, Africa and Asia.

Fatal Lady

Tue, 26 Aug 2025 04:00:00 +0000

On her debut as an opera star, Marion Stuart is interrogated and possibly implicated in the death of a male acquaintance. Released, although thoroughly shaken-up, Marion attempts to perform but loses her voice onstage. Humiliated, but driven to sing, she travels to South America under the assumed name of Maria Delasano, and works in an opera company under the tutelage of Feodor Glinka, who wants her to shun men and save herself for her art. Mary resists the persistent attentions of wealthy young Phil Roberts, who follows the company in hopes of marrying her. …

Paris in Spring

Tue, 26 Aug 2025 04:00:00 +0000

Afraid of marriage, Simone (Mary Ellis) breaks off her long term engagement with her fiancé Paul de Lille (Tullio Carminati). Paul heads to the top of The Eiffel Tower with thoughts of suicide. In another part of Paris and also afraid of marriage, Mignon (Ida Lupino) breaks it off from her young lover (James Blakely). Despairing, Mignon also climbs to the top of the The Eiffel Tower intending to leap to her death. There she meets Paul and the two compare stories. After discussion, Paul dissuades her from leaping and the two conspire to make their respective partners jealous by pretending to have an affair with each other.

Bella Donna

Tue, 26 Aug 2025 04:00:00 +0000

That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain’s Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film’s deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova’s arm-waving histrionics in the earlier version.