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	<title>Ferreira Gullar &#8211; MRQE</title>
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		<title>Cabra Marcado Para Morrer</title>
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		<pubDate>Fri, 05 Sep 2025 04:00:00 +0000</pubDate>
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					<description><![CDATA[Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil,&#8230;]]></description>
										<content:encoded><![CDATA[<p>Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.</p>
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		<title>O Aleijadinho</title>
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					<description><![CDATA[O Aleijadinho, a study of the work of Antonio Francisco Lisboa, the architect whose cathedral&#8230;]]></description>
										<content:encoded><![CDATA[<p>O Aleijadinho, a study of the work of Antonio Francisco Lisboa, the architect whose cathedral de Andrade had assisted in the restoration of more than 20 years earlier. de Andrade dedicated the film to his father, who had sent him on the expedition.</p>
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					<description><![CDATA[In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary&#8230;]]></description>
										<content:encoded><![CDATA[<p>In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazils vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)</p>
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