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	<title>Corin Tucker &#8211; MRQE</title>
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		<title>The Punk Singer</title>
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					<description><![CDATA[A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed&#8230;]]></description>
										<content:encoded><![CDATA[<p>A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the &#8220;riot grrrl&#8221; movement of the 1990s.</p>
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		<title>Follow My Voice: With the Music of Hedwig</title>
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					<description><![CDATA[One record producer, the creators of &#8220;Hedwig and the Angry Inch&#8221; and top indie rock&#8230;]]></description>
										<content:encoded><![CDATA[<p>One record producer, the creators of &#8220;Hedwig and the Angry Inch&#8221; and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk School- the first accredited high school in the country for LGBTQ youth. &#8220;Follow My Voice: With the Music of Hedwig&#8221; weaves the compelling, courageous stories of four students at this controversial school with a unique chronicle of the yearlong creation of &#8220;Wig in a Box,&#8221; the album whose songs poignantly echo these teens&#8217; struggles and aspirations. Through a dramatic and vibrant combination of verite documentation, student video diaries and rare in-studio scenes of artists recording tracks, &#8220;Follow My Voice&#8221; offers a powerful and poignant look at this unlikely intersection of youth, gender and rock. Includes studio sessions from Yoko Ono, Rufus Wainwright, The Bens, The Breeders, Yo La Tengo, John Cameron Mitchell, They Might Be Giants and more.</p>
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		<title>Songs for Cassavetes</title>
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					<description><![CDATA[In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of&#8230;]]></description>
										<content:encoded><![CDATA[<p>In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and &#8217;90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.</p>
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