Brigitte Janner – MRQE

Alles nur Tarnung

Sat, 23 Aug 2025 04:00:00 +0000

Harry manages to get into Willi’s cell – Marlies is quartered with the ageing prostitute Jutta. Quite a tension between the generations comes up when Harry realises that his father is not the big bank robber, but a small day thief who does not want to flee at all, but only breaks a blanket to celebrate Christmas with his beloved Jutta in her cell to celebrate…

Kinderspiele

Sun, 24 Aug 2025 04:00:00 +0000

When Micha’s mother leaves his irascible father, he tries to prevent their divorce by any means he can think of, but his attempts to hold the family together lead to a catastrophe…

Abschied vom falschen Paradies

Mon, 01 Sep 2025 04:00:00 +0000

Ironies abound in this extremely sad melodrama about Elif (Zuhal Olcay), a Turkish immigrant in Germany who has been sent to prison for murdering her abusive husband. At the time of her imprisonment, she has never ventured outside the Turkish community, and even there has had no friends because of the demands her husband placed on her. She speaks no German. Now, in a place which most people find to be hell on earth, she gains a never-before known taste of freedom among these strangers, who don’t even speak her own language. Unfortunately, as a “guest worker,” she is horrified to discover that she is soon to be transferred to the horrific prisons of Turkey and will stand trial there for her crime, which will be much less understandingly dealt with in her home country than it would have been in Germany. The false paradise she must say goodbye to is her German prison.

Kiez

Mon, 01 Sep 2025 04:00:00 +0000

Set in Hamburg’s Hell’s Kitchen, a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it. He becomes a small-time pimp, sending his naive girlfriend out onto the streets thinking she is financing their middle-class future. When he becomes involved with an old pal, Nil, he increases his criminal portfolio. But when he steals Nil’s girlfriend and things heat up, he leaves for his sister’s middle-class home in Berlin, where his attempts to fit in are doomed from the start. Returning to Hamburg, he starts a rapid decline that delivers him into the waiting arms of Nil, whose revenge is merciless. Its emphasis more on milieu than on melodrama, Kiev is intended as a disturbing, hard look at the lives of bourgeois society’s cast-offs whose existence, in Germany as elsewhere, is comfortably ignored or suppressed.