No existen treinta y seis maneras de mostrar cómo un hombre se sube a un caballo

“Nicolás Zukerfelds third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the directors vast oeuvrebut at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability.” – NYFF